#can you parse it from context
Explore tagged Tumblr posts
Text
oh boy !! ! ! ! !!! ! thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it
as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard (and something else)
first up another sketch of mystery gender-ambiguous being. (please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))
a few fav scenes
emotional support cwab
they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.
papery critter.
even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses. (im a sucker for good tail poses) (oh yay! i found a good pic...)
and finally, little sneak peak for you for reading so far ;3
i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.
so i started hashing out a big project idea just to see if it holds up and
[
several hours later ...
]
oh
oh man
it's a little bigger than i expected
<next>
#--/ art#alan becker#animator vs animation#animation vs minecraft#Minecraft bed#ava the dark lord#ava the chosen one#me when the project that obviously wasn't going to be done in one night isn't done in one night: D: !?!?!?!?#kudos to whoever routed the Speedrun actual short because that one is so fun and clean and savvy#clever made up time-savers? includes orange's TNT shield-jump?? nonlethal dragon dispatch??? sweet#ithink you can see where i tried to head with this#turns out that turning up the complexity 98 notches higher makes things trickier to parse hmmmmmm?#in fact i might need some help with this one ;>v>' like a lot.#i had a bit of a story and route set up already i just... wanted to make sure everything was at least kinda there...................#we'll see#the pie joke. i was trying to categorize which foodstuffs chosen should be able to make on the fly. with their flame hands.#ex. cooking meats makes sense because flint and steel works for the same purpose (you can kill a burning animal to get cooked meats)#but baking bread or drying kelp seems way more involved or whatever -> needs a proper furnace environment#HOWEVER... i noticed that Steve can just summon pumpkin pies from his bare hands if he wants to without even a workbench. so. sure! lol.#this is scraping the surface of the minutiae i want to consider#(ALSO KUDOS to everyone who RUNS/works on all-advancements. of course. riding on your shoulders here)#final joke is that chosen didn't know how crazy this undertaking would be to learn#but dark is very literally programmable. so you could maybe just plug some TAS instructions into him and off he goes#or even more open-ended than that just give him the list of advancements + stipulations + the wiki and similar result#it'd get done but. i dont think he'd find that fun at all. prefers to write his own instructions if you see what i mean#i might be forgetting some context. it is rather late you see. please ask me questions about this! ;P#tco aa
73 notes
·
View notes
Text
the other thing I find very funny about trying to write a canon compliant wol is taking all the wolship hints extremely seriously.
I don't really wolship because I'm just fundamentally not that kind of fan. But I know for those who are, the sheer number of romance hints FFXIV throws at you can be overwhelming to parse in a context where you have a preferred/intended wolship, particularly if you're not attracted to the gender the hints are coming from in the first place (a particular tip of the hat to wlw fans navigating the g'raha of it all). I've seen plenty of people write around them or write them out or be like "no aymeric was for real inviting my wol to a nice platonic zero-subtext dinner," and God bless all of you.
But it's really funny to imagine them all as all-too-real but unreciprocated or perhaps unreciprocatable. The sheer scale of it is comedy. Spoilers for all of FFXIV follow.
Oh God, the Lord Speaker wants to have dinner, just the two of us, at his family estate and not a government building. I hope he doesn't bring up his crush on me. Thal's balls he's about to bring it up—oh thank God there's an emergency. Oh no someone got hurt! Oh no it's the teenage girl with a crush on me.
Your life is a cosmic joke. You watch the Sultana get poisoned and all your friends probably die to save your life and it's kind of all your fault in some ways, I mean at the very least you should've spoken up when they gave the teenager a private army, and then the teenage boy speaks up and is like, "hey, I guess we have at least one ally. What about if we go visit that guy who is really obviously down unbelievably bad for you and wants to lick the sweat off of you." and you have to be like, yeah, Alphinaud. Great idea. Let's do it. I'll call him.
(brief interlude: also haurchefant's DEATH hits so good if you don't reciprocate. It's okay. He gets it. You're going through a lot and even if you had time to sort through your feelings maybe you're just not into him. That would be okay! You can love someone, or the idea of someone, without needing it to be romantically reciprocated. That's chivalric, even. Knightly. So he won't ask you to lie to him and say you love him as he lies dying in your arms. He's not so low as all that. But could you smile for him as you used to? That true hero's smile of yours. And you do, and he dies. And you both know he died for a lie, in a way, or a flight of fancy. And he's okay with that. Are you? Should you be? Should he?)
Then you're into Stormblood and it's like wow, okay. That last part was all high fantasy, of course there were loyal knights and elegant princes. But this is war. Imperialism. Grim business, surely there's no way—oh no BOTH handsome young revolutionary leaders seem to have a special interest in you?! And so does the Crown Prince of the Empire? Come on, man. I should get to do the whole horrors of war thing without having to also deal with this. Gaius sucked and it was weird that he let his foster daughter run around being openly obsessed with him but at least he never made it my problem.
You can't even get away from it across dimensions. Shadowbringers is a horror story about going on a teambuilding camping trip with your work colleagues for some reason except they all suddenly got really hot and they keep touching you affectionately on the shoulder and being like "I care for you and your happiness. Truly." And also you're being stalked for the whole camping trip by two old men who are obsessed with you. The false climax of the story is that the one old man tries to betray you and give a dramatic monologue about how he loves you but the two of you are doomed by the narrative and then the other old man shoots him in the back like "no actually its MY turn to betray them and give a dramatic monologue about how our love is doomed by the narrative." Then the real climax is old man #1 backstabbing old man #2 in the middle of said monologue before old man #2 dies and gives ANOTHER wistful monologue about his doomed love. Then for the patches they're like okay so we have this even CRAZIER old man who's gonna strike when you're weak and give a dramatic monolo—
and that's without even getting into the literal soulmate ghost only you can see
my warrior of light never felt more betrayed than in that scene where Y'shtola is like "haha Alisaie and G'raha have crushes on the warrior of light." Like I thought we were COOL, Y'shtola! I work here! This situation is already in such a delicate balance! Right when I got here I met Alisaie's "friend from work" who was like oh haha so YOU'RE the one she can't stop talking about and we never followed up on that because the woman died horrifically like five minutes later right in front of us! Then when Vauthry got away and we had to do all that shit with the dwarves, G'raha kept pausing every ten minutes to be like oooooh I'm so old I'm gonna die soon...at least I got to spend some time with some people who are really important to me...in fact here's what I'd tell the person who's most important to me...actually u know them really well haha. And I just had to sit there and be like wow, dude, crazy.
even in the face of apocalypse you still gotta go back in time like 12,000 years and there's somewhere there who makes you sit and listen to his story which is that the purpose of his whole godlike immortal life was to be in a throuple with you and old man #2 from the camping trip. and you just gotta sit there the whole time knowing you/your past life is the one who broke up the throuple over politics. He's like come help me harangue the old man into streaking in public, he'll do it if you ask.
then you meet and fight and kill God and you gotta turn to the team and be like hey sorry guys can you give me a sec. I'm gonna call God by her real name because we met one time for like four days and after that the promise of meeting me again was one of the things that sustained her through her millennia of suffering. Not like that but like. Idk. Just gimme a sec!
It's a relief when you finally get to Lahabrea and he's like actually I still don't fuck with your vibe. Like thank GOD.
And my WoL is very obviously dad-shaped so Dawntrail had a very specific energy for me but I understand that for plenty of people your deepening rapport with Wuk Lamat had a romantic subtext (same for Koana depending on how you read a few of his lines). And personally I think it's the height of comedy to be like, noooo, babe, your highness, I know you and your brother the king are in love with me and want me to stick around and support you emotionally through this governmental transition haha. But it's just...the cursed wineglass, babe. I GOTTA go figure out what's up with this cursed wineglass.
It's a running gag in some of the more optional content that people are like "you have an unreasonable number of hobbies and side gigs" to the WoL from time to time. But if every time you tried picking up a new hobby some new elf started baring their soul to you, you too would be like Hey Jessie (or sometimes Krile or Tataru), my good friend who is one of the only people in my life who knows what professional ethics and work-life boundaries are, any chance you need muscle on a gig on the other side of the world? Ideally with only Cid and his ex so all libidinal energy in the room is directed towards machinery or someone who isn't me?
ironically one of the only places you get a break from psychosexual obsession is the nier content
#ffxiv#endwalker spoilers#dawntrail spoilers#shadowbringers spoilers#heavensward spoilers#stormblood spoilers#meta: durai report#warrior of light ffxiv
2K notes
·
View notes
Note
i do have to wonder how in depth MR!Mychael's mind reading goes. does he just hear the words people think? or does he have to focus on you to read your thoughts? can he see the images people think of?
i have so many questions i'm so sorry
For context! Since everyone thinks differently, he first relies on someone's involuntary emotions to cling onto. Maybe your verbal words are confident but he can sense doubt in your mind. Or you're happy and excited but he can feel that you're holding back. That's why extreme reactions like shock and disgust feel like a harsh wave to him.
Once he catches onto what you're really feeling, words come through much easier and he's able to parse through your thoughts like a catalogue somewhat. It's like dipping his hand in water, once he feels the temperature he can actually see what's going on in your head, but without anything to hold onto it's just a vague feeling.
It requires a level of focus! Otherwise it's just some very faint garbled words and static + vague emotion coming from the person near him. You can say he's an empath lmao.
And finally, no, he can't see images.
#mushroom oasis vn#mychael ask#MR!Mychael#this took me a while to figure out#because what WOULD mind reading feel like?#is it just audio you hear involuntarily 24/7 or do you tune in when you wanna pay attention#anyways more mind reader mychael nonsense since u guys like him so much <3
376 notes
·
View notes
Note
I saw something about generative AI on JSTOR. Can you confirm whether you really are implementing it and explain why? I’m pretty sure most of your userbase hates AI.
A generative AI/machine learning research tool on JSTOR is currently in beta, meaning that it's not fully integrated into the platform. This is an opportunity to determine how this technology may be helpful in parsing through dense academic texts to make them more accessible and gauge their relevancy.
To JSTOR, this is primarily a learning experience. We're looking at how beta users are engaging with the tool and the results that the tool is producing to get a sense of its place in academia.
In order to understand what we're doing a bit more, it may help to take a look at what the tool actually does. From a recent blog post:
Content evaluation
Problem: Traditionally, researchers rely on metadata, abstracts, and the first few pages of an article to evaluate its relevance to their work. In humanities and social sciences scholarship, which makes up the majority of JSTOR’s content, many items lack abstracts, meaning scholars in these areas (who in turn are our core cohort of users) have one less option for efficient evaluation.
When using a traditional keyword search in a scholarly database, a query might return thousands of articles that a user needs significant time and considerable skill to wade through, simply to ascertain which might in fact be relevant to what they’re looking for, before beginning their search in earnest.
Solution: We’ve introduced two capabilities to help make evaluation more efficient, with the aim of opening the researcher’s time for deeper reading and analysis:
Summarize, which appears in the tool interface as “What is this text about,” provides users with concise descriptions of key document points. On the back-end, we’ve optimized the Large Language Model (LLM) prompt for a concise but thorough response, taking on the task of prompt engineering for the user by providing advanced direction to:
Extract the background, purpose, and motivations of the text provided.
Capture the intent of the author without drawing conclusions.
Limit the response to a short paragraph to provide the most important ideas presented in the text.
Search term context is automatically generated as soon as a user opens a text from search results, and provides information on how that text relates to the search terms the user has used. Whereas the summary allows the user to quickly assess what the item is about, this feature takes evaluation to the next level by automatically telling the user how the item is related to their search query, streamlining the evaluation process.
Discovering new paths for exploration
Problem: Once a researcher has discovered content of value to their work, it’s not always easy to know where to go from there. While JSTOR provides some resources, including a “Cited by” list as well as related texts and images, these pathways are limited in scope and not available for all texts. Especially for novice researchers, or those just getting started on a new project or exploring a novel area of literature, it can be needlessly difficult and frustrating to gain traction.
Solution: Two capabilities make further exploration less cumbersome, paving a smoother path for researchers to follow a line of inquiry:
Recommended topics are designed to assist users, particularly those who may be less familiar with certain concepts, by helping them identify additional search terms or refine and narrow their existing searches. This feature generates a list of up to 10 potential related search queries based on the document’s content. Researchers can simply click to run these searches.
Related content empowers users in two significant ways. First, it aids in quickly assessing the relevance of the current item by presenting a list of up to 10 conceptually similar items on JSTOR. This allows users to gauge the document’s helpfulness based on its relation to other relevant content. Second, this feature provides a pathway to more content, especially materials that may not have surfaced in the initial search. By generating a list of related items, complete with metadata and direct links, users can extend their research journey, uncovering additional sources that align with their interests and questions.
Supporting comprehension
Problem: You think you have found something that could be helpful for your work. It’s time to settle in and read the full document… working through the details, making sure they make sense, figuring out how they fit into your thesis, etc. This all takes time and can be tedious, especially when working through many items.
Solution: To help ensure that users find high quality items, the tool incorporates a conversational element that allows users to query specific points of interest. This functionality, reminiscent of CTRL+F but for concepts, offers a quicker alternative to reading through lengthy documents.
By asking questions that can be answered by the text, users receive responses only if the information is present. The conversational interface adds an accessibility layer as well, making the tool more user-friendly and tailored to the diverse needs of the JSTOR user community.
Credibility and source transparency
We knew that, for an AI-powered tool to truly address user problems, it would need to be held to extremely high standards of credibility and transparency. On the credibility side, JSTOR’s AI tool uses only the content of the item being viewed to generate answers to questions, effectively reducing hallucinations and misinformation.
On the transparency front, responses include inline references that highlight the specific snippet of text used, along with a link to the source page. This makes it clear to the user where the response came from (and that it is a credible source) and also helps them find the most relevant parts of the text.
293 notes
·
View notes
Text
It's so funny to me when I tell people, "You can't depend on an AI for that, it has to be done by a human," they're always like, "You're just afraid of technology." I'm not afraid of it. I understand it. And I know that an AI is never going to be able to comprehend things like context, which come naturally to a human and are essential to all kinds of information gathering and parsing.
Like yeah, there are uses for AI technology. The bread-sorting computer comes to mind. But that doesn't mean I want an AI to analyze the results of my google searches. Last night I googled, "Where to find iron ore minecraft," and Google's AI told me to dig 15 blocks down from anywhere and promised me that 100% I would find iron ore. Because the computer lacks the ability to look at phrases like "y level 15" and go, "huh, I wonder what that means, maybe I should look that up." It also lacks the ability to get the first apparent answer (y level 15) and then think that there might be more information (likelihood of spawning, size of spawns) and keep reading for that information. It doesn't know that's relevant information. And you can't teach these skills to a computer. People think that you can solve these problems by simply feeding more information into the computer but you can't. It just confuses it. And even if you could, what's the proposition? To fill a computer with the sum total of all human knowledge? I trust I don't have to say why that's a bad idea? The only thing you can do is manually block bad answers and replace them with good ones. By a human. Which means that all of those fixed answers... are not AI generated. :/
#basically it comes down to very specialized ai is reaosnable#like pick something for it to do and then make it do that super well#but thats not what the ai accessible to the average person is#its advertised as something that can do anything#which means its stretched too thin and now it cant do anything actually#except tell you to put gasoline in your spaghetti#also whose bright idea was it to train them off of reddit? or any social media site. it doesnt understand satire
238 notes
·
View notes
Note
The crossover fic with Homelander has been rotating in my mind since I read it. I've actually read it three times now. And like, even when I was invested in The Boys, I was never particularly interested in Homelander. But something about how you wrote him, and him specifically existing in a context where heroes are so much better, and him being confronted with the existence of Batman and Superman's respect for him, and Clark thinking he would have turned out WORSE, (in having greater efficiency for evil? I'm sure, But greater cruelty, greater casual disregard for human life? Part of me cant reconcile that with Clark , another part of me can see it so clearly, because from Clark that type of cruelty would be so much more a choice, him turning something off inside himself, whereas Homelander is so much more a result) and Bruce feeling his fears rising- oh my goood. Thank you for writing,
Thank you so much!!! I will never write Homelander again, he was SO nasty and gross to get fully in character. I think what I liked about Clark’s conflict in that fic was that it tried to (briefly) parse where goodness comes from, what is and isn’t inherent, and where “evil” comes from. Clark realizing he has the propensity to be Homelander but isn’t — and trying to figure out how much of that was in his control or just fate. And Bruce is there to remind him that no matter what is baked in, even Homelander still has the freedom of choice to be better. To not hurt others. To be like Clark! But that also means that Clark has the ability to choose to be like Homelander too. It’s a double edged sword.
79 notes
·
View notes
Text
HERE'S WHY I LOVE ANDREIL SO MUCH
Their main language - one no one else seems to speak (except maybe Renee and Bee?? which would explain why Neil finds their vibes off putting and why they're the ones able to get close to Andrew like that) - is the language of Technicalities and Semantics. But here's the thing: when you speak Technicalities and Semantics, its all in the subtext and the text. But you don't assume everyone is going to be literate in text and have the wherewithal to also delve into the subtext! You can't! Because people don't really do that, at least not with the level of intention that Andrew and Neil do.
Example: "I should hope so."
Imagine this, pretend Riko is alive. He gets into a car accident, and he survives unscathed. His car takes the brunt of it. Someone during a press conference relays this to Neil and says, "But Riko is okay!"
Neil smiles, exercises the bare minimum of his PR training and says, "I should hope so."
But, notice. He said he should hope so. Not that he would hope so.
"I would hope so" means I'm suppose to hope that this person is okay according to moral standards, and I do
"I should hope so" means I'm suppose to hope this person is okay according to moral standards, but I don't
God forbid someone asks further questions about his feelings on the matter. No one would take "Technically I said-" seriously because people don't normally play that game. The technical differences between 'would' and 'should' lack relevant meaning in this context because that's a meta-level conversation and no one has time for that kind of tit for tat - except Andrew.
Let's do another one: "Did you need something?"
Someone comes up to Neil and he says, full of suspicion, "Did you need something?" They say yes and tell him their needs, then he directs them to someone who can fulfill them. But - they argue - they were asking him for help and he offered!
"No," he says, "I asked if you needed something; never said I'd be the one to do anything about it."
And that's why (in this hypothetical) Neil specifically said "Did you need something?" and not "Can I help you?" because he wasn't going to help you anyway so why offer it, even if you'd never meant to ask? Because just like he can trap someone with his words, someone else can trap him with his own words.
And as a writer whose Special Interest is Language and how it can be manipulated, I LOVE THAT!!!
An aspect of why and how Andrew and Neil fell for each other was because they both speak this language. Technicalities and Semantics. That's why Neil understood more about Tilda than Aaron. It's why Andrew understood the weight of 'Abram'. It's why "Nothing" and "I hate you" spoke more volumes to them than any soft words ever could have. It's why "Stay" was able to bring Neil back from the brink. It's why what they don't say is just as important as what they do because "never said yes" == "no" and "never said no" =/= "yes" are obvious to them but not to others!
And its why they throw their words back at each other from past encounters! Because "we both know what you said and we both know what you meant, and we both know that this applies here too and i'm going to prove it by quoting you directly, check mate now kiss me hypocrite" is their fucking LOVE LANGUAGE FIGHT ME RIGHT NOW
Listen to the actual words coming out of their mouth, pay attention to their technical meanings, and be willing to also parse the subtext, and you will be fluent in Andreil forever.
#all for the game#andrew minyard#neil josten#andreil#the secret to “never said yes” == “no”#and “never said no” =/= “yes”#is that in both cases they “didn't say yes” therefore there was no “yes”#and no yes always means “no”
163 notes
·
View notes
Note
i have had like 10 friends rec worm to me but nobody’s given me a good like, gist of its vibe and what its abt because ‘its best blind’, could u please give a like brief summary and vibe check of it 😭 it’s so long i dont wanna try and invest that much time without knowing much abt it
so, worm is a 1.7 million word long webserial written in 2010. 1.7 million words seems like a lot, but it was also written over a relatively short period of time, which means the writing style is very easy to parse--the ideas aren't without complexity, but the language itself isn't intimidatingly dense. you can get through it at a very decent pace. i agree with your friends that there are vast portions of worm that hit best when you're unspoiled, but the thing is that worm is long enough that giving you the basic plot pitch is in no way spoilers for any of the things that i wouldn't want to see spoiled for someone. i'm actually kind of baffled they're not telling you Any Thing, because it is in my estimation one of the best books i've ever read, but it also Needs a briefing before you get into it for like five different reasons. which i will now provide. i swear to god this is brief by my standards it's just that i am very thorough
worm is a story about superheroes and supervillains, set in a world where superpowers are traumagenic--rather than appearing randomly or innately, some people gain powers after a traumatizing event happens to them. the protagonist is taylor hebert, a 15yo girl who has the power to control insects and desperately wants to be a superhero. and then accidentally finds herself scouted by a team of teenage villains instead. who's to say how she's going to react to all that!
one of the most compelling things about worm is that the superpowers in it serve as visceral, hyper-literal metaphors for the trauma and traumatized coping mechanisms of the characters with those powers. each power is incredibly specific and thematically relevant to the person who has it, and it's incredibly interesting and evocative. it feels so natural and well-done that it comes off like how superpowers are just meant to be written.
the fact that superpowers stem from trauma also means that worm is fundamentally a narrative about trauma. specifically, about traumatized teenagers and the relationships they form as they cling together while struggling through growing up traumatized & mutually coping with an increasingly intriguing, intense, and far-reaching escalating plot. worm's depictions of trauma + mental illness--including unpalatable trauma responses, including traumatized characters who are allowed to be complicated and nuanced and messy while still receiving narrative respect--are deeply real-feeling and impactful, and they're placed in the context of a well-spun + engaging story.
i really do have to stress how excellent the character writing is. worm is fully deserving of being as long as it is. over the course of 1.7 million words of character development, the average reader's reaction to the main characters goes from "sorta interesting" to "okay, i want to see where this goes" to "augh...really likable" to "i am now on hands and knees crying and these characters are going to stick around in my brain forever." wildbow has incredible talent for efficiently conveying complicated, real-feeling, and viscerally evocative characterization. many of the interlude chapters (chapters written from the perspective of different characters other than taylor) are so interesting, fleshed-out, and emotionally affecting that they make you wish you could read an entire novel about just the side character being featured. with that level of characterization for just the side cast, it's not surprising that taylor (& co) are genuinely just downright iconic. and i do not say that lightly--taylor is truly one of the best-written protagonists i've seen in anything. ever.
the other main pitch-point for worm is that it's a fascinating deconstruction/reconstruction/examination of the conceits of the superhero genre. it answers the question of--what would the world have to be like, for people with superpowers to act the way they do in classic cape media? and it does this well enough that it's interesting even if you have only a passing familiarity with cape media. i am not a big superhero media fan, but worm addresses virtually every aspect of cape media that was under the sun around 2010 in a way that's so interesting i still find it incredibly engaging. the approach it takes makes the narrative very accessible even to people who aren't usually cape media fans.
and speaking of the narrative: the end of the story is coherent and satisfying and deeply thematically resonant*. the way worm follows through on all of its main mysteries & plot threads is excellent. you don't have to worry about getting thru 1.7 million words and being dissatisfied by the author shitting the bed at the end, or anything like that. he does an amazing job of weaving together plot events in a way that makes each successive one feel rationally, thematically, and emotionally connected to what came before. there's really only one part where i feel the story stumbles a bit, but i think it was the best option he had for the narrative, and it's by no means a dealbreaker. it's in fact really impressive how cohesive and satisfying worm is for such a long webserial released over such a brief period of time.
*this is subjective ive seen some people who didnt love it but ive never seen anyone who downright Hated it who didnt also demonstrate egregious misunderstanding of literally everything worm is about. so thats a good sign
as for the downsides of worm/things that might put you off:
there is a very long list of trigger warnings for it. if you have any trigger warnings you want you should ask your friends to let you know about the relevant parts, because the fact that it's About Trauma (& about typical cape media circumstances presented very seriously) means that traumatic and violent things & their realistic aftermath are constantly happening and/or being discussed. i would not classify worm as needlessly dark or spiteful to the audience by any means, but it is intense and covers a lot of heavy topics. i do assume if your friends are all recommending it to you, they think none of the material would be too much for you, though!
worm was written in 2010 by a white cishet guy from canada. it's typical levels of 2010-era bigoted, it has a deeply lesbophobic stereotype character, it has some atrociously racist stereotype characters, the author really hates addicts, It's Got Blind Spots. i think worm is generally fully worth reading despite these, but very fair warning that it can get bad. i think what exacerbates this is that worm is generally extremely nuanced & sympathetic regarding ideas such as "crime is a result of systematic circumstance vs people just being inherently evil" and "mentally ill people who are traumatized in unpalatable ways are still deserving of fundamental respect as human beings" and so on and so forth, so it's extra noticeable and insufferable when you get to a topic the author has unexamined biases on and all that nuance drops out. the worst part is that a lot of this is most concentrated in the early arcs, so you have to get through them without being super attached to any of the characters yet. it is worth it though.
worm like. Does have a central straight relationship in it. and it's a very well written straight relationship for the most part and i like it quite a lot. but worm also passes the bechdel test with such flying colors that it enters 'unintentionally homoerotic' territory. which means a lot of people were shipping the main character ms taylor hebert with her female friends while the story was being released. which caused the author to get so mad he 1. posted a word of god to a forum loudly insisting that all of the girls are straight and 2. inserted a few deeply awkward and obvious and out of character scenes where he finds an excuse for the girls to more or less turn to the camera and go "i'm not gay, btw. this is platonic." This is fucking insufferable, and will piss you off immensely, but then you will get to any of the number of deeply emotionally affecting scenes between them, and at that point you will be too busy sniffling piteously and perhaps crytyping an analysis post on tumblr to be mad about all that other shit. also they're only a couple tiny portions out of an entire overall fantastic novel
overall: if those points don't sound like dealbreakers (i hope they aren't they're really massively outstripped by the amount of devastatingly good moments in worm, worm still has a thriving fandom over a decade later for a reason), you should absolutely give it a shot and see what you think. my final note is that you have to read up until the end of arc 8 to really see where what makes worm Worm kicks in, so aim for at least there to see how you feel about it if you're just thinking about dipping your toes in vs fully committing. i hope that was helpful and not too long :)
oh and don't go in the comments section on wordpress if you don't want spoilers. or anywhere else in the fandom at all. you will be spoiled. quite possibly for things you could not even have imagined were topics to be spoiled on.
#ask#wormblr#parahumans#ill tag it to save it so i can reference later. and maybe other people will find it helpful
354 notes
·
View notes
Text
The Most Underrated Line In All Of ATLA/TLOK And Its Many Worldbuilding Implications - A Ramble
In S2E7 of TLOK we get this dialogue from Wan and The Aye-Aye Spirit: "There are other Lion Turtles?" "Of course there are - dozens of them!" [timestamp 3:38 in this video]
It's such a quick line it's easy to miss, but there's one thing about it that made a LOT of things click into place for me about the Avatar universe's worldbuilding; the fact that there are (or were) dozens of Lion Turtles. NOT four, with one for each element, like you would assume. Dozens.
What does this mean in terms of the Four Nations? What connections might this have with other previously established lore? Well uhm follow me on this journey. I guess.
Pre-Unifications - A Global Warring States Era?
A warring states era on a wouldn't be nearly as compelling if there were only four Lion Turtles. If this were the case, everything would be perfectly balanced; why would there be disarray, violence, cultural disparity and struggles for power within each elemental group if the world was already perfectly divided into four solid groups? Why would a national identity be in question at all?
But the fact that there are more than one Lion Turtle per element... that means different groups of people being isolated from one another for long periods of time. This means different bodies of identity, regardless of element. Different city states, regional Kings, Queens, fiefdoms, dynastic power struggle, etc etc, before any sort of inherent loyalty the ones element as a national and cultural identity was established.
We know the Avatar world was not always divided into Four Nations. In Chapter 21 of The Rise Of Kyoshi we learn that Guru Laghima - a name you'll recognize from TLOK S3 - was from an era when the Four Nations had not yet been formed. We also know from Zaheer that he lived about 4,000 years before the events of TLOK (for context, thats about 6,000 years after Wan became the first Avatar).
There's further confirmation of this in Smoke And Shadow, where we learn about the first Firelord and the Fire Nation's unification wars.
However there's implications of this even in the original series; it's not some sloppy ret-con from the books and comics, it fits. Think Omashu:
In S2E2 of ATLA we get the story of Oma and Shu - and we learn that they come from "warring villages." Now why exactly would their villages be warring if The Earth Kingdom already existed? Why the need for a power struggle? Why is it not presented as a civil insurrection or civil war, but as a conflict between two distinct groups of people? The answer is that the "Earth Kingdom" as we conceptualize it did not exist. I'd go further and say that we can assume that after Omashu was established it became a powerful regional kingdom, and created strong sphere of cultural influence. Think about it - Bumi is King Of Omashu. King. NOT the Earth King, King Of The Earth Kingdom, but still King Of Omashu.
[Now there's some debate about where Omashu's founding sits on the timeline but to me it HAS to be post-Wan, probably very nearly immediately post-Wan. The line that calls them the "first earthbenders" and that they "learned earthbending from the badger moles" has caused some to question if they fit in with the "Lion Turtles bestowed bending" lore, but to me it fits pretty easily. The Lion Turtles may have bestowed the power but the actual technique was learned from the badger moles and dragons and blah blah blah.]
I also find this line from Jianzhu in The Rise Of Kyoshi very illuminating:
VINDICATION !! And Jianzhu's moaning over the cultural diversity within his country brings me to the second part of this post...
FC Yee And Gene Luen Yang Accidentally (?) Make Avatar's Cultural Mish Mash Make More Sense
Avatar's cultural gumbo of visuals has always been a little hard to parse. If you follow @atlaculture then you know it'd be kind of fruitless to try and apply any one single ethnicity/culture to one nation. A common, and very valid, criticism of Avatar is the pan-asian approach it takes to worldbuilding. I'm not here to defend that lol. I think people who dislike Avatar on that basis are well within their rights to do so, and I also think it's important to enjoy things critically.
HOWEVER, from a worldbuilding perspective, the mish mash becomes easier to swallow when you think of it in terms of multiple groups of people being unified into different nation states over a very long period of time and slowly intertwining their cultures into a single(ish) identity.
Take the Fire Nation for example: in FC Yee's The Shadow Of Kyoshi we learn that the government was much more decentralized and the country was controlled by different clans, like the Saowon and Keosho, who had individual spheres of influence and strong senses of identity. It makes me think about Mai and Ty Lee
They're both Fire Nation nobles and they both live in the Fire Nation capital - but their styles/clothes are completely different. Now, obviously that can be boiled down to personality-based character design but. There's a wide discrepancy between Mai's Edo Japan inspired hair and Ty Lee's Thai inspired performance outfit, and a little retroactive canon about them being part of different but powerful clans .. ? Yeah. That'd be fun, at the very least.
I could go on about this... was there a Water Lion Turtle at the north AND the south? How did the airbenders transition from relatively sedentary life on a Lion Turtle to nomadism? etc etc etc BUT in conclusion: TLOK and the comics have some very fun worldbuilding implications snuck in there !! Which makes up for a lot in my opinion. Personally I'd KILL for an Avatar series set in the warring states/unification period... I think that could be insanely cool...idk. The End. For Now.
#atla#tlok#shadow of kyoshi#rise of kyoshi#this post may get even more added onto it after I read the Yangchen novels...#worldbuilding#like. I REALLY could go on and on but I'm tired and bound to make less and less sense to longer I type#FC Yee#gene luen yang
950 notes
·
View notes
Text
perfume - k.dy
pairing: f4!nct doyoung x fem!reader (past johnny x reader mentions)
genre: hana yori dango/boys over flowers/meteor garden/f4 thailand reverse harem au (mild allusions and characterization only)
warnings:
bully-to-friends-to-lovers, established relationship, polyamory, dom!doyoung, glucose father adjacent, scent kink, control over food consumption/bathing (for scent kink purposes only), gratuitous use of the l-word by anti-romantics, angst/feelings, flashbacks and history
🔞 edging, cockwarming, orgasm denial, oral (m/f receiving), passionate sex, rough sex, spanking, creampie, bukkake, consensual negotiated kink (degradation, somnophilia), anal play (f receiving)
wordcount: 20k
author's note: this is a doyoung-centered continuation of my ongoing F4 au. it can stand on it's own but i recommend reading Dive for more context. Doyoung's role in the F4 is Sojirou Nishikado/So Yijung/Ximen/Kavin (playboy control freak) so this fic incorporates elements of his secondary romance within the original/adaptations, now with y/n.
read on AO3
fic headers / dividers credit to @ saradika + please do not repost
Freshman year, Kocher International.
Head down in your books at lunch, trying so hard to escape scrutiny from above, you pretend to be no one.
It shouldn't be hard to be nobody, otherwise ignored and immune to whatever social contract deliberates your life. In a better world you'd be invisible. It's a superpower you'd wish for much more over the usual playground answers of super speed or control of the weather.
Let me be unobserved, you'd thought. Let me open a door and not worry about a bucket full of dirty mop water falling on my head or the inevitable posting of a grainy video of it, posted in a Telegram channel to fulfill some checklist made up by bored, rich monsters.
Your four-generation-behind phone with its cracked screen proved useful in some regards; you never heard about these public pillories until some kind stranger sent you a screenshot of them, usually in the context of whatever plans they'd made to torture you again.
Every notification is already a pain, driving splintered glass into the pads of your fingers. Just now you're reading a text message from your father asking you to pick up more cheap instant noodles from the convenience store on your walk home to round out whatever scraps he's picked up from the local restaurant your mother bussed tables and cleaned dishes at when she needed extra money.
"Why is Saint Kim watching you?" your friend asks across the table. She's been looking up at the room this entire time, unable to give you even a moment of her attention or assistance to finish the English homework you'd been working on. You'd been rushing all day to finish it before afternoon class, after a late morning of delivery driving for your family's drycleaning business.
"Are you sure it's not the Devil?" you ask, parsing through the lines of a book you'd bought secondhand, trying to match verse for verse.
"No," she says, shaking her head when you finally look up. "Don't react. He's coming this way."
"Shit," you say under your breath, eyes flicking to your untouched lunch. "I need you to leave now. Take these trays and dump them and I'll meet you outside of 4th. If I make it."
You don't look up from your book as you mutter, but you follow her path and her hesitancy as she internally debates whether to heed your warning or watch from a safe distance.
Your handwriting becomes a scrawl of nonsense you have to cross out in sharp lines. You begin the verse again, holding your breath as you will your entire body and mind back to a manufactured calm.
If you can't be invisible, you can at least play your role. You're copacetic by the time you see the tips of polished black wingtips beside you, before you hear the Saint clear his throat.
“Y/N.”
He drops a familiar, school-mandated clear cosmetics bag next to your ratty backpack. The already embarrassing stash of tampons and old chapstick has a new bounty including a "used" pregnancy test stick with a second line drawn in with pink gel pen jumbled into its contents.
"You left this . . ." he says, not finishing the sentence to indicate where he'd found it. You immediately hear a titter. Your flock of spectators is growing by the second and the useful idiot at its center seems wholly unconcerned.
"Thanks," you say, not bothering to look up or to even hide the bag. You keep writing, blindly, the English words just rounded shapes flowing from your shaking hand.
Their kind fed off attention, your only defense is to starve them of it.
The Saint clears his throat, again. Apparently he’s not just unconcerned, he’s also unwilling to leave.
"Aren't you grateful Doie found it before someone else did?" You don’t have to look up to know it's Miranda who’s asked, glimpsing her manicure as she picks up your bag, green gems shining on perfectly-tipped nails.
"Oh this must not be hers. I didn't think she could afford this."
You think she might be diving into the stash for one of the Lilies' pointed additions but no–you watch in horror as she plucks out the bottle of perfume you'd been carrying with you since your parents had gifted you a single, tiny box last Christmas.
"Chanel?" she says, laughing. "No wonder you smell like my grandma."
"Probably a knock-off," another of the Lilies says. Ginger, by the sound of her grating voice. Her handwriting on the board in homeroom listing out your abortions is as familiar as the pink gel pen script on the extra large foil condom with xoxo slut written on it staring at you through the plastic.
"Definitely a knock-off. You have a nose, don't you, Doie?"
You look up, finally, at Saint Kim. He's alone for once–the other one, the Devil Kim that shadows him is still up on the second level, leaning on the railing over his shoulder. You watch the Saint’s small mouth turn into a moue of distaste, nose wrinkling at the proffered bottle.
"Authentic," he says, capping it before offering it back to you. Your field of vision is obstructed by that veined, pale hand–fingernails as perfectly groomed as the rich girls who surround him.
You reach up to take your most prized possession back only to find he doesn't let go, holding tight when you try to pluck it from his fingers.
"You should know . . . " he says, sniffing slightly.
You look up at him with alarm blazing in your eyes. Every word Kim Doyoung says to you writes your next damnation. You should ignore him, run, anything–but you can't look away once you've met his assessing gaze, his tall frame limned in the fluorescent cafeteria lights like he's carrying his own personal halo.
Even seeing him at a distance every day can't depreciate how ethereally handsome he is. You know better than to swoon at that elegant face, night-black hair pushed away from his forehead. Beneath his family’s charities and his PR-scripted concern you know he’s just another ungodly creation birthed of nepotism and curated genes.
He leans in, carefully, musical voice a whisper.
"You should know it doesn't suit you."
The laughter that follows is deafening.
No, you think. He's just as soulless as the rest of them.
“What do you mean actually sleep?" you ask, coyly, unbuttoning your romper. "Like after we . . . ?"
"I've managed 6 hours of sleep in 36 hours, y/n–” Doyoung seems to hesitate, dark eyebrows raising, hand pushing his hair back from his pale forehead. He snaps his laptop closed, at last, shoving it to the farthest edge of the bedside table.
No–you think–not hesitation.
Frustration.
You've seen this man before.
All work and no play made Saint Kim into a Prince of Hell. He'd spent the first 8 hours of your date day half-present–the other in the 4 hours of sleep he's gotten since some crisis at his family’s headquarters in London that usurped your vacation.
A whole 2 days in which he hasn't held you at all. His rules, his chance, but you can't help but wonder what has him so clenched that he's barely even touched you since your date began at 6 am Bangkok time.
You'd taken two extra strength melatonin and slept like the dead, anticipating his early-riser schedule. Only you and God had to know you'd fallen asleep next to your day tour fit ready to be fucked in it.
You’d made yourself so pretty only to find him in the kitchen hunched over his phone, laptop softly pinging with notifications. Doyoung had still been dressed in the clothes you'd seen him in the night before, ending his conference call to laser in on you hovering in the kitchen.
"Are you upset?" Doyoung asked.
"No," you'd lied, pushing the piece of paper he'd left the staff on the counter, his English handwriting crisp and formal. "What’s this?"
"We have a few dietary restrictions today," he’d said.
"Are you saying I am what I eat?" You’d asked, taking a bite of a plump strawberry. "Is this some kind of prep?"
"It's for the date," he'd said, resigned. "Just be patient with me."
Then he'd smiled, disarming you with a casualness you hadn’t seen on him in a long time, rubbing his eyes blearily under his thick glasses.
"Can we go back to sleep?"
And so you'd settled into his grasp on your made bed, scrolling Insta and waiting for the inevitable alarm–which turned out just to be Jungwoo delivering two iced Americanos in some gambit of checking your progress.
"Missed the floating market opening?" Jungwoo asked, eyebrows raised at the sight of Doyoung face first in a pillow.
You'd silently mouthed your thanks, leaving the drinks to sweat on the bedside table as you changed into your second outfit of the day, occasionally drifting in to check on your sleeping beauty.
It was a rare delight to have him so vulnerable beside you, blanket rucked up beneath his chin and his white teeth visible past the sweet curves of his mouth. Without consciousness your partner for the day is just Kim Doyoung, the gentler side of the same creature who you knew would often choose a couch to watch serial television with you over a day trip if you wanted it.
But this was different.
Now instead of using his precious time to fulfill what you'd felt promised in his casual brushes against your back when you'd finally traveled out, or the way he'd stroked your leg at brunch under the table (every bite chosen by him, of course), you're being railroaded into lying still while he sleeps.
Again.
You continue undressing, letting him drink in the sight of the lingerie set he’d left in your room. You knew it was custom made by the way it lifted each curve he’d already had access to, tailored for you as if every millimeter of your body was to account for.
Doyoung's cheeks are hollowed, lip chewed. He pulls his glasses down and regards you even more as you continue to undress yourself.
"You do know what the word 'nap' means, don't you?"
"I'm not the one who hasn't slept," you say. "At least let me get comfortable."
His stare pierces into you as you turn around, stripping for utility rather than give him a show he clearly hasn’t earned. You check yourself in the floor-length mirror beside the bathroom, viewing yourself through his eyes as you pluck the lace over your curves to sit just right.
“Do you like it?” you ask.
You may as well be speaking to the floor when you turn around, finding him buried in the pillows only by the dark fall of his hair.
“You can’t be that tired,” you say.
You're used to taking a late afternoon siesta in peak summer but you're far too excited to even consider sleep right now. For one, it's sweltering–windows open to allow the noises of hawkers and traffic not far off to drift in.
Second, you've never been more turned on in your life.
You can still feel the tingling in your toes from when he’d slipped his hand up under the hem of your shorts, teasing at the velvety smooth skin on your inner thigh as you tried not to choke on your mimosa.
You make your way to the bed languidly, crawling up the thick white duvet with a teasing smile.
"Just stay on your side of the bed, please," Doyoung says.
"Oh," you say, collapsing on top of the covers beside him. "Well you're no fun."
"And you're impatient and uncouth," he retorts in a way that makes you wonder if he really means it.
"Will you at least hold onto me?"
"Too hot." He rolls on his back, flapping his half-buttoned shirt in the breeze from the fans. You sigh dramatically, collapsing into the pillows in the middle of the bed.
"You should get naked, then.” You say. “Don't be modest on my account."
He opens one eye to glare at you, finding you relaxed and inviting beside him. His throat bobs, gaze flicking to the ceiling.
"That year of celibacy really took a toll on you, didn't it? Two hours. Indulge me."
"Please, sir," you whisper. "I've been such a good girl."
It had been a stipulation of the F4’s latest deal–24 hours for you to recover from your first night before the gauntlet began. Doyoung had been more than strict about the terms, leaving you your own set of instructions including–not surprisingly–not touching yourself.
Under normal circumstances you wouldn’t think about masturbation constantly, at all hours of the day. He may as well have told you to try not to think about a white bear for how powerful the intrusive thought had taken over since then.
"You'll get your reward. Later," he says. He's an impassable wall, stretched out beside you, so you content yourself with staring at his profile. Even under these oppressive circumstances you appreciate the light dusting of freckles on his cheek brought out by the sun, the dark lashes dusting his cheeks over the slight bluish marks of sleep deprivation.
"Yes, sir."
It only takes a few minutes for him to snap at you again.
"Stop that,"
"Stop what?"
"Getting so handsy."
You hadn’t even realized your hand had drifted over the plane of his belly under his white shirt, too absorbed with watching the muscles in his cheek spasm as you inched nearer.
"Can I help it when you're right there?" you ask. "I thought this was your–"
Doyoung rolls you before you can slither any closer, pressing your back into the sheets with his hands on your wrists, knees digging into your thighs.
If the intention was to get you to stop being uncomfortably turned on it has the opposite effect: you let out a moan of pleasure, legs twisting together for friction. He slams them shut between his own, groin pressed into yours.
He's as hard as you hoped, and you lift up into him to let him know you know it.
"If you don't behave I'll have to cancel this," he warns directly in your ear, sounding as choked as you feel. "I thought you were already trained."
"Trained to fight back," you correct, pressing against him with your own strength.
"That's not trained," he says, lifting up. "I'll blame your lack of experience and experienced partners. Nothing we can't work on. Until then you'll follow my rules or I pull you from the game. Understood?"
You let a few beats pass, accepting there's no way out and you don't have anything to throw back at him.
"Yes, sir," you pout.
"Now that's a good girl," he says.
Just as quickly as you were taken down you're let go, inhaling deeply now that you're not being pressed into the soft bed.
"You really don't want to play with me before you sleep?" you ask, brushing your lips against his chin as he crouches over you. You’d be a liar if you didn’t say you enjoyed the way his nostrils flare a bit, working his pink bottom lip between his teeth. Whatever arbitrary rules he’d set for your time together you can tell he’s at least regretting it right now, stiff length brushing against your bare leg as you lift your knee to test it.
“Are you trying to make me punish you?” he asks, voice husky.
"I thought you liked it when I was a brat," you say, cocking your head.
Doyoung sighs, eyes half-lidded. "I do. But not when you're using it to avoid intimacy."
Your throat clenches, a hard knot forming in it you can't seem to swallow as your face gets even hotter.
“What are you talking about?” you ask.
“I think you know what I mean,” he continues. “It’s not like we both don’t have a habit of using sex as a distraction from anything emotionally challenging.”
You gape up at him in disbelief.
Of course you’d never been able to hide that aspect of your last relationship with him when he’d often been right outside the door. All of the F4 knew how many times your arguments with he-who-should-not-be-named-especially-not-while-in-bed-with-his-best-friend had ended in you shutting him up by any means necessary. Not that you didn’t enjoy it at the time–but rather you understood it wasn’t the most healthy template for a relationship.
"I thought this wasn't going to be about feelings," you blurt out.
“Proving my point.”
Doyoung tsks, tapping your cheek with his fingers–nowhere near a slap but just as effective, soothing the spot with his thumb. Soon he’s brushing your tears away when they inevitably spring up and you have to turn to hide their seep into the mass of pillows.
"If I wanted therapy I wouldn't be here, Kim Doyoung," you say, trying to bury your face in the piles of soft down.
“Shh, silly girl,” He gently pulls you out from hiding, soothing you with a warm kiss against your forehead when you stop struggling and let him hold you, releasing that surge of emotion and writing it off to hormones and the sting of rejection.
“You know I’m speaking to myself here, too,” he states softly. “Bear with me, I’m learning.”
"Do you even really like me?" you ask, face pressed into his chest.
It’s horrible to admit this specific insecurity but you can’t help it. Being abandoned multiple times in your life when you’d finally, finally let your walls down would damage anyone’s trust. You’d hoped this day with him would be easy and carefree and light, not dimmed by the shadows of your anti-romantic histories.
"I adore you, actually." He settles partially on top of you, leg wrapped over yours as he props himself up on his elbow. "Which is why I want to start this right. You wanted the F4 boyfriend experience. This is mine."
"Last I checked you’ve never seriously dated anyone," you groan, sniffling.
"Last I checked, neither have you."
Well, that connects. You swallow your fears, relaxing into the cage of his embrace, retreating a little from the vulnerability of being exposed.
"What kind of girlfriend experience were you expecting, then?"
A lazy smile gusts across his features. You can't help but find it a bit sinister after being handled so indelicately.
“I don’t always know what’s going on in that empty little head of yours." He accompanies his statement with a brush of his thumb across your flushed cheek, tracing your semi-parted lips in a way that sends sparks down to your core.
"I’d like to stop guessing and actually get you to let me treat you the way you want to be treated. Have you ever asked yourself what you want?"
You panic a little, considering his words. Living with disappointment had made this question a hard one to even consider.
"I just want a good time. Isn't that what you want, too?"
Doyoung seems to ignore your ask, drifting into a relaxed state against the pillows. His hand traces the hairline at your temple. "You know I worry about you. All the time, actually.”
His voice is lower, a little wistful, and it’s doing just as much as the slight brushes of his fingertips to make you throb all over again. A lack of sleep must have made him delusional, you think. This is not the Kim Doyoung you know.
“You’re always thinking of how to take care of the people around you, I think you’ve forgotten how to relax and let other people take care of you.”
"Is that why you're always involving yourself in my business?" you ask, matching his tone in how breathless you are. You expect a quip, not the sincerity written on his face when he swoops in to press a gentle kiss against your lips, too fleeting to be anything but sweet and sincere.
“What do you think I’ve been trying to do all this time? It certainly wasn’t just to get into your pants. I want you. All of you.”
You're taken aback by his honesty. You'd always suspected his constant meddling in your affairs came from a place of interest but you'd never wanted to give him too much of a response–maybe a little afraid his fickle nature and fear of commitment would mean he’d give up on your friendship, too.
Another thing you knew about Saint Kim: he had a tendency to run like a frightened rabbit at the first sign of emotional neediness in his partners. You'd never given him reason to believe you expected anything from him, but you'd also stopped fighting him on giving you what he desired to give.
It wasn’t just presents or expensive experiences, of course. He’d found out quickly those weren’t welcome without some cajoling. No–his art was in knowing what you needed even before you realized it, nudging it across your path.
You’d figured out his deviousness after the umpteenth time someone was charitable at your little florist shop part time job, offering to fix your scooter in exchange for a nice arrangement for a proposal. As soon as you’d seen the fully restored bike outside and the customer didn’t return your texts you’d called Doyoung, completely unsurprised to find he was at the coffee shop next door, waiting to pick up his flowers.
“Stop being so nice to me,” you’d said. “It makes me uncomfortable.”
“What makes you think I’m giving you charity,” he’d responded, dropping a department store bag and your own custom coffee order on the counter. “You’ll wear this when I come to pick you up tonight at closing, including the jewelry and perfume. I need you to play your part again. The flowers are a consolation for the heart we’re breaking.”
He’d enlisted you as his defacto “new girlfriend” for the more difficult separations, and though you’d gotten your share of a glass of expensive wine thrown in your face more often than he ever experienced it (his type always went after the easier target) it wasn’t like he didn’t have a replacement dress ready and a nice dinner waiting after you’d cleaned off the Chateau Lafitte Rothschild.
You have to face the fact that no matter how many times he’d treated you like his girlfriend, you’d never actually expected him to want you to be one.
“I’ve waited a very long time for this, Y/N. Which is why I want our first time together–alone," he adds quickly. "–To be special."
It's difficult to believe him but you're spellbound all the same, watching pink dust his cheeks and his ears turn a shade darker as he most likely realizes how ridiculous it is considering him fucking you senseless the other night with the help of two other men.
But you can empathize with his anxiety. Yesterday's Thai massage he'd arranged had helped you work out the flight or fight of anticipating being alone with him. It’s back now, but different. The way he's looking at you makes you feel infinitely naked, infinitely unlocked.
"What do you mean special?" you ask, wary, hoping to see some glimmer of uncertainty or falsehood in his gaze. You want to believe it's a lie or just some artful prank, trying to ignore your heart flip-flopping in your chest.
It’s a mistake to let him see you squirm considering it’s Doyoung’s drug of choice–his lips twist into another menacing grin as he plays with the charm on your necklace. Another of his little gifts.
"Do you think you can handle it?" Doyoung asks, dripping self-satisfaction. “Or are you going to chicken out on me?”
You turn over so he can't see your expression, realizing he’s throwing your own words from the night before right back at you.
"I haven’t decided if I want to date you, yet,” you say.
"Maybe not," he says. "But you'll have to pardon me for wanting to show you this good time you supposedly want while also treating you decently. Unless we're no longer friends?"
"We are," you say, biting your lip, "even if you enjoy torturing me."
"Torture?" He laughs, breathy.
"Metaphorically speaking."
"You have no idea, do you?" You can feel the edge of his glasses as he bites the place where your clavicle connects to your shoulder, his hand snaking around your bare middle.
"You could show me," you invite, mid-gasp, as your body responds to his long-awaited touch. His fingers are almost cool in contrast to the heat in the room, tracing circles in your skin that have you squirming.
"Is that a challenge?" he asks.
Why not?
"We don't have to have sex," you offer. "Maybe you could just–"
"Shh," he says, fingers skimming lower. "My terms. Are you going to stay quiet for me?"
You nod into the comforter, breath hitching as he touches you through the thin layer of your underwear, veined hand flexing as he molds the damp fabric to your body. It's such a delicate pressure but he's already memorized your shape, index finger sinking into your folds, gently rubbing a ring around your throbbing clit.
You're sticky and swelling with each pass, entranced by how good he is at teasing you, cherishing the way he sucks in his breath when he pushes into the indent of your hole.
“Doie,” you whine, leaning back into him, trying to get him to kiss you as he laughs into your hair.
“Quiet,” he reminds you, kissing your cheek and teasing the seat of your underwear where they're soaked the most. "You want to take these off?"
You shake your head, sensing it would be too easy of you to give in.
"That wasn't a question," he says, tugging down the band, leaving them trapped tight around your thighs. "I don't want you to wear them until I tell you that you can."
You feel your core clench at the way his voice cracks, his fingers sliding back up to slowly and delicately draw a thread of moisture from your bared slit. You whine a little when he stops touching you, bringing his fingertip to your lips.
"Taste it."
You let your mouth fall open, let him run it over your tongue, beginning from the middle and swirling over it.
"Describe it," he murmurs. "If I like your answer, maybe I'll indulge you more."
"Salt," you say, immediately.
He tugs your hair, making you meet his eyes.
"Have I taught you anything? I want specific notes. Flavors."
You're transported back to the time he'd taken you to your first (and last) wine tasting. Spitting into a bucket and being lectured about body and tannins and soil conditions was the last thing you'd wanted to do after an hours-long trip to a vineyard but you'd indulged him, allowed one glass of what he considered the only drinkable wine on the premises.
An unrefined palette, he'd called you.
"Fruity and floral," you make up. "A nice lingering finish. Want a taste?"
He looks down at you behind his glasses, equal parts amused and unimpressed. "Did you use the soap I asked you to?"
Your brain glitches at that. Had you? You'd been in such a rush to go out–
You gasp when he palms your breast, squeezing the meat of it through the breathable fabric of your matching bra.
"I'll take that as a no," he says. "I guess you're not ready."
He rolls off of you, leaving you in a lurch as you realize your legs are locked together by your underwear. You move to remove them, taking off your bra as well to avoid the awkwardness of being partially dressed.
By the time you're done you realize he's on his back, the hand that had been stroking you buried in his loose khakis.
"What are you doing?" you ask, more than a little pissed off at the sight of him masturbating as if you aren't ready and willing to assist beside him.
"Getting ready for our date. You can watch. No touching." He cracks an eye to look at you before closing it again. "Either of us."
"Are you edging me, Kim Doyoung?" Your menacing tone is entirely natural.
He hums a bit, working himself at a more punishing pace, knuckles peeking out from under his boxer briefs with each full pass over his length.
"Can't even look at me? Afraid you'll lose control?" You sidle down on the bed, beside his tensed thigh. You can smell a bit of the ozone on him from a morning in the sun, your knees knocking into his calves when you move over him.
"I don't trust you," he says, voice deeper than you've ever heard it.
"Is it touching if you finish on my face?" you ask when he finally blinks up at your presence, hovering over him with your breasts dangerously close to his clothed thighs.
"Absolutely not."
"Not touching–"
"Just. Watch," he orders.
He pulls himself free from his pants, surprising you with how dark and weeping his tip is as his thumb encircles it. Pools of white precum spatter on his lean, pale belly, your head dipping dangerously close–
"I said watch." He grabs at your hair, denied when you bend up again, showing him your dirty tongue.
He groans, fingers clenching air. "You were put on this earth to test me, weren't you?"
Still, he doesn't break his attention on the way you roll the drops you'd licked from his clean skin in your mouth, swallowing once you've fully enjoyed the taste.
"A little sweet you say," teasing him. "Drinking pineapple juice?"
"Brat," Doyoung says, but he's almost gone–eyes dark with desire, gently gripping your skull as you continue to ease in.
You're a master at following his lead, blowing a breath over the spot you'd licked, and then his length until his movements slow, cherishing the way you hold your mouth over his cock.
"If you can't give me what I want, then at least give me a taste," you say, sticking out your tongue in offering. You love the way he responds to the sight, needy and losing it when you hold eye contact, drilling into him.
"No," he echoes, weakly. He's too smart to push into your open mouth, instead driving his hips up to fuck his fist as you watch his glasses slide down his nose, eyes clenching shut.
"You're no fun," you say. "Just a little swallow can't hurt?"
"No. Don't want to ruin it," he says cryptically, making a choked noise as you brush his fingers with your nose and he has to pull you away.
"I promise you it . . . It will be worth it," he manages. His jaw clenches as his movements relax, finally in control of you both.
"It better be," you say.
You lower your lashes as your eyes flick between his cock and his face, stretching out your tongue to the point that drool begins to drip down your chin, splashing on his whitened knuckles and the tight stretch of his balls peeking out from his underwear. He bites his lip, breath holding as he starts to spiral.
The first thick rope of white rockets up his half-bared chest. Soon he's spurting even more, cum reaching his rucked up shirt, a little getting on his glasses.
He's so out of it he doesn't fight as you wrest out of his limp hold. You clean up the sticky mess on his skin with your tongue, his abdominal muscles twitching under the light flicks and drags.
"Want to give me some notes?" you ask, straddling him without resting any weight down, taking off his glasses. This time when you move to kiss him he rises weakly to meet you, lips parting to accept what you haven't swallowed.
In truth, he tastes wonderful. Coffee, a little menthol from toothpaste and a hint of the watermelon you'd shared earlier mix beneath the coat of his spend.
He licks into your mouth until you moan, your body throbbing with unfulfilled pleasure. You follow him as he sinks back into the pillows, enjoying having him at your disposal, your core leaving wet trails on his thigh when you brush against the fabric.
"I'm going to wait until you're asleep and use you if you don't help me get off," you threaten, pressing soft kisses to his slack face. It’s no use. Doyoung has passed out again, lower teeth visible as he snores softly, forehead sheened with drying sweat.
Fuck it, you think.
You ooze off of him to take your second cold shower of the day, and maybe get acquainted with one of the fancy showerheads in his massive walk-in while you use his special soap.
It's not–technically–touching yourself.
Your mystery destination isn't an unknown–it's in every tourist booklet and blog you'd skimmed before your trip, thinking you'd be on your own to find a good spot to traverse to. But it still takes your breath away the moment the car door opens in the sprawl of motorbikes and delivery trucks and Doyoung takes your hand to pull you into Paradise.
Pak Khlong Talat is a bustle of energy well after dark, the time you know its treasures are delivered fresh and unbloomed, wrapped in newspaper and steeped in crushed ice. For as far as you can see the market sprawls along Chak Phet road, but even more overwhelming than the sights and sounds is the scent.
Jasmine, roses, lavender. Thousands upon thousands of blooms strung up and tended to by night owl vendors, delicate arrangements hand-sewed by artisans streetside into garlands so well-crafted Doyoung has to tug you to keep you moving, onwards to some other unspoken destination.
"I was worried you might hate flowers after working with them for so long. I take it you like it?" he asks, indulging you when you ask if you can take his picture at a particularly lovely hang of garlands, the purple-blue light perfect for the film you'd loaded into your father's old camera. Photography had never been your craft, but after your dad had passed you'd made an effort to capture more of your memories, cherishing what you'd taken for granted before.
“It’s perfect,” you say, admiring him through the viewfinder. "But can you look like you're having fun?"
Your model is stiff, mouth a moue as he checks the street for other observers or a possible collision with a laden handcart.
"Fun?" Doyoung asks, and you snap his picture on the offbeat, enjoying his look of surprise.
“Like you've taken your date to one of the most romantic places on earth, after buttering her up with a night cruise of Chao Praya and finally letting her eat real food."
He sniffs at a fall of marigolds, a smug look on his face that you commit to film, right before he sneezes.
"For the record, we're eating after this. Som tam hardly counts as a meal, I just didn’t want that drink going to your head."
You're shepherded through the vast warehouse of the main market, to an adjacent street, and into a non-descript building painted in a funereal white.
"Are we even allowed to be here?" you ask, once the key code is entered and you enter the strange business.
"I called in a favor," he says, taking your hand, leading you up a metal staircase past a simple storefront of dried blooms and shelves laden with boxes and bottles alike.
An apothecary? An alchemist's shop? The purpose of the space eludes you.
"An atelier," Doyoung explains. "One of the most sought out in the world."
There's the distant hum of the city outside and a central air you're unused to in this climate but the upstairs is quiet–by all accounts either an office or a laboratory, or a mixture of both. The central working area is a chaotic but organized space filled with tables of glassware and dried floral arrangements contrasting potted orchids, small beakers of coffee beans littered amidst rows of labeled brown bottles.
"So this is how they make perfume," you say, inspecting a stoppered bottle labeled "Gerianol 10%".
"Not just any perfume. The best. Here." Doyoung leads you to a much less cluttered workstation, the desk arranged with the lights still on, a note detailing some instruction you can barely read before he slips it into the pocket of his slim-tailored pants. Beneath it is a notebook, scrawled with a perfect cursive English you recognize from the cards he’d included in boxes or bags whenever he’d bothered to claim their contents.
"Sit," he instructs. You think he means the comfortable chair but before you can sit down he presses you to the desk, caging you in.
"Sit," he repeats, hands on your hips through your slinky skirt, lifting you to the bench. You scoot back, carefully, the white blooms of some exotic flower brushing against your cheek until he can move the vase a careful distance.
"Do you understand what we’re doing here?"
You can't possibly know what he means, eye level with the graceful column of his neck and his exposed collarbone beneath his translucent button-down, drowning in the melange of scents but most especially his clean, neutral cologne.
"No," you say, honestly, heart beating fast.
He picks up a corked flask from some kind of metal scale, dipping a thin thread of paper into it to waft it a fair distance from your nose.
"Before we came here--before you even agreed to this trip–I sent instructions to my friend for a specialty blend of their creation. It took quite a bit of back-and-forth–I even visited here last month to take a private class and make sure we prepared the base and middle to your standards."
"For me?"
You feel dizzy, reaching out to take the sample and smell it again, his hand capturing your own before you can bring it too close to your nose. He wafts it for you, expectant as you absorb the details.
Indeed, it smells divine–exactly the kind of warm, bright notes that make your heart feel at ease. There’s something floral and citrus worked in, not too heavy, the finish leaving you with an impression of a lazy summer afternoon.
“It’s beautiful,” you say. “Did you make this to match what you knew I liked?”
"Yes.” Doyoung exhales, looking almost sheepish. "I had some references. That cheap shampoo you never stop buying, the Lush exfoliator with the orange blossom, even–" he shudders a bit– "that awful Chanel you doused yourself in, in high-school."
"Coco Mademoiselle," you say. "It's been years since I–"
"It didn't suit you," he says, standing up to sample another bottle from the neat row.
Something dawns on you, a distant memory locking into place.
"It was you," you gasp in realization. "You're the one who got rid of it. I should have known when you tried to give me that bottle of Jo Malone–"
“It had already turned. You need to store your scents away from direct light.”
“It was a keepsake!” There were very few possessions from your youth that you’d been able to hold onto–not only because your parents had been barely able to afford your school uniforms, much less gifts. What little you’d had was lost when your house was destroyed by the men your father owed money to, this small thing neglected in the destruction.
“It didn't suit you because it wasn't made for you," he continues. "You wore it because you thought it would make you fit in, when you should have made what you wore wear you–"
"Please, stop."
You have to bite your lip to the point of pain, remembering how excited you'd been to unwrap that tiny bit of luxury your parents had saved up to buy you, your mother sure the brand name would save you from another day of humiliation. You didn’t have the heart to tell them that the cutout ad from the magazine on your wall was for the model, not the actual perfume, but you felt loved by the gesture all the same.
Hundreds of thousands of won an ounce for it to only turn on your skin, well before afternoons spent on the basketball court under the thankless sun. That memento had aged from pink to a sickly rose unused on your cosmetic shelf, a totem from a time when you imagined yourself belonging. Before it had disappeared, like so many other things.
You can't remember the last time you'd worn anything, had never even gone near that section of a department store after the humiliation of being made fun of for smelling cheap.
“My dad skipped lunches and my mom worked double shifts to get that for Christmas my first year in Kocher,” you say. “Mira was the brand ambassador for that campaign, you know.”
Mira had been your idol even before you won the scholarship she’d established to attend Kocher. Perfect, beautiful, but most of all the first girl in their sphere to show you genuine kindness.
"It must be so easy for you," you say, wiping your face. You rarely cried these days but that memory was particularly painful, a reminder of how often you’d assumed Doyoung found you just as offensive. Not just your scent, you thought, but you.
Something to be tolerated. Below his regard.
"Whatever you want, you can have. Whatever you don't like, you can get rid of. I'm sorry, I don't live in your world. I can’t just throw something away when it’s not useful."
"No," he says, quietly, abandoning his explanation. "That was thoughtless of me. I can replace it–"
“Can you?” You glare up at him. “Is this what you really want? To dress me up like your perfect doll and feed me from your hand so I’m more able to suit you?
Doyoung looks like he's going to be ill, every design in his head unraveling before your eyes. You’d feel sorry for him if you didn't know this was a lesson worth imparting.
"Don't ever offer to replace what you don’t know the true value of," you say, voice trembling.
There's a weighted silence as he considers his next words. You still haven't slipped away from him, choosing to hold your ground. How many times had you been forced to be the antagonist in some fruitless class warfare, unresolved? But then you also had a habit of finding battles in peacetime.
You pluck the newest scent strip from his frozen hand and waft it between you, at the designated distance.
“Thank god this smells nothing like it,” you murmur. You offer him a wry smile, anger fading. “I couldn’t stand it.”
You feel Doyoung’s relief as he collapses against you, forehead against your hair as his arms wrap tight around your middle. You relax after a bit, cheek pressed to his collarbone as you breathe in his unique scent–a little like fresh laundry left out in the sun.
“I’m sorry,” he says. “All these promises and plans and stupid details and at the end of the day I really . . . Don't know what I'm doing."
"I really don’t know what you’re doing, either," you say. "But I like that you try.”
"You do?" The hope in his voice makes your iciness melt a bit. You let your hands twine around his neck, feeling the tension in his shoulders ease with the gesture.
“I know it’s not easy for me to admit but I do appreciate everything you do for me, Doie,” you say.
He doesn’t respond in words but you savor the shift in his demeanor, like a weight has been lifted from him. You think even he didn’t know it was there. You ignore the glassiness in his eyes when he pulls back, choosing to look at his notes instead.
“Are these all the ingredients?” you ask, working out a few of the more familiar words. “What’s op–?”
“First things first,” he says, rolling up his sleeves. "Did you touch yourself?"
"No," you say, surprised by the shift. "I followed your instructions. No products with scents. No underwear."
You spread your thighs to make your point. His hands hike your skirt up, over the breadth of skin to your hips and then to the curl of your belly, his breath hitching as he finds you already glossy.
It had been a bit of a gambit considering your riverside excursion but he'd allowed you a lemongrass-based repellent–the scent of which is still clinging to your bare skin as he kneels down to press a kiss to where his fingers had traced earlier.
You jerk a bit, conscientious of the workspace as he spreads you, just that light touch making your nipples harden beneath your thin shirt and bra.
“Are we allowed to–”
“Shh. Relax and try not to spill anything,” he interrupts, breath cooling your wetness. “I just need some inspiration.”
“What?”
"You’re so good already," he says into your sex, spreading you so he can lightly tongue at your skin. “Perfect little flower just for me.”
After waiting so long, you're torn between begging and shoving his teasing licks away, hand threading through his raven hair as the notebook slips from your hand.
"Kim Doyoung–” you gasp as he spears his tongue through your upper folds, nose nudging the sensitive bud. “–if this is another round of teasing I will murd–”
You yelp as he hunches down to wrap your legs around his shoulders, hands re-occupied by exposing you as you try to stay upright.
“Don’t worry. You can come like this. I want to know if you taste different after.”
You don't know what he means until his mouth closes over your clit, sucking just right. You jolt, pinched on the meat of your thigh until you can relax again, making little mewls as he rolls his thumbs alongside the point of contact.
“I want you inside of me,” you beg, feeling that fluttering sensation that heralds a build-up. “I wanted to come with you inside me.”
“Soon. Just need to be good while I sample you.”
“Sample?” Your hand sinks into his hair in panic, tugging, but Doyoung is too lost alternating between suckling at your sex and palpating you with a circling thumb, his beautiful hands gripping your thighs to keep you spread.
“Drip for me, first.”
“I don't think I can–”
“You giving up already?” Doyoung scoffs, smirking up at you with reddened lips, tongue-tip darting against your clit. Every brush of soft muscle makes you spasm a bit, belly tightening unfulfilled.
You shake your head, panting. “I just . . . Doie I want you inside me.”
“You can relax and take it,” he says, tongue wrapping around your labia, sucking slightly. Your head is buzzing, every stray thought removed by his exploration of you.
“Relax. If you don't I'll just have to try until you're begging for me to stop.”
“No, please, Doie. I'll be good,” you plead. “Just . . . need something inside. Hurts so bad being empty.”
“Hand me a pipette.”
“What?”
“The one that looks like an eyedropper,” he says, hand open to accept like he’s performing surgery. You fight to find the right glassware with his mouth still on you, efforts more focused and intense as your legs tense with each hit. You find the rubber-stoppered glass cylinder, stomach dropping.
“Is this safe?” You ask, gripping his mussed hair tighter when he pulls away for a moment.
“If you hold still, yes,” he taunts. You seize when you first feel the tip slip inside you. The glass is cool but warms to your body heat quickly, too slim to feel anything.
“Good girl,” he says. “You’re even pushing this out, you must be so tight.”
“I am. Too tight,” you groan. “Please don’t tease me anymore.”
He ignores you, focusing on his work, pulling the instrument free when he’s satisfied.
“Not bad,” he says, dropping it on the desk beside you before he’s back on his knees with his nose buried in your cunt. “Bet you can do better than that.”
“No, please, I need you–”
“Then drip for me,” he laughs into your leg, tracing the wetness down the crease in your thigh. You tense your hold on the desk’s edge when you feel his tongue prod at your entrance, muscle breaching your hole to lick into you. He makes a satisfied noise in the back of his throat that has you plummeting just as he resumes stroking your clit through the slippery coat of your arousal.
Finally, you think, feeling the advent of tears for how wound tight you are, how desperate you are to feel him give you just one more point of contact with the ache inside.
“Oh god, don’t stop, please don’t stop,” you repeat, the noises obscene as he drinks you in, other hand on your hip to hold you against his face. It’s not even the stimulation that makes you begin to come but the audible groan he releases as he feels you quake against his mouth, heels snagging on his shirt when the first wave breaks and those little tics inside you turn into powerful contractions around his tongue-tip taking everything you can give him.
He keeps licking you even when you’re begging for him to stop, nose tracing down to catch a stray drop from the back of your knee with a playful dart of his tongue.
“Was it worth it?” you ask, folding over him as he wipes his mouth clean in your drenched skirt. You know it’s just the start but you already feel wrung out and feather-light, wicking away the sweat that’s beaded on your own face despite the cool, dry air of the room.
“Hmm?” he hums a bit, disentangling to stand up and hold your face in his hands. His pupils are blown, sweat beading on his temples, but he looks as satisfied as you hoped he would be, your arousal drying on his slender features.
“All the prep,” you say. “Isn’t that why–do I taste as good as you expected after all that?”
Doyoung looks down on you, amused. Already you feel like you’re heating up again, with how his dark eyes flit to your mouth and back up again.
“You think I prefer you prepped?” he asks, angling his head down besides yours to whisper in your ear. “The next time I eat that perfect little pussy of yours I want it to be filthy.”
He traces the lobe with his teeth for good measure, pulling another moan out of you. “I’ll even make sure to wait until the other two have a go at you, first.”
You feel your heartbeat stutter as he presses his lips to your pulse point, tongue darting past his lips to dab at the sweat there.
“No, precious, I wanted to make sure the perfume we make tonight matches all of you.” Doyoung’s nose brushes your ear as he breathes in your scent. “Every time I wear it I’m going to remember the way you sounded when you first came for me and me only.”
The promise of it has you feeling a different kind of heat, dizzying for how much you want it to last past this night.
“Fuck,” you whisper explosively, eyes clenched shut to stay fixed upright, fisting the thin material of his collar as he pulls you from the countertop and against the hard planes of his body. “I need you. Now. Please.”
“I like hearing you say that,” he chuckles a bit. “But I’m going to make you earn it. You can wait a little longer. You made me wait years, after all.”
You let him guide you into his lap, in the chair, pushed into the desk as he opens the notebook to another page. And another, until you take over and explore it for yourself. In the dim golden light from the street outside you catch glimpses of colors and drawings, notes written of impressions and memories you’d all but forgotten in your haze of grief these past few years.
There’s even photographs taped to some of the pages–ones you know well by the fact that they’d been taken on your camera. Doyoung didn’t have Jaehyun’s artistic training but he did have an eye for capturing candid moments.
November, your first year of college. You’re standing in the first snow of the season, catching flakes on your tongue. You can still feel the burn of them, hear the murmur of the city dulled in a fresh blanket of white and taste the roasted yam you’d eaten, tossing it in your mittened hands until it was cool enough to peel.
Doyoung’s shoulder is off-kilter beside yours, unable to capture himself in the frame for all his long reach. The peek of the striped scarf you’d knitted for him in gray and blue is all that’s visible of him under his peacoat, the mismatched weave of it captured even in this poor exposure.
“Base note: cedarwood,” you read, carefully, eyes hazing a bit with emotion. Evergreen.
“I still have it, you know,” he murmurs against your temple. “I only stopped wearing it because it started unraveling.”
“I’d make you another but I quit knitting after making three scarves,” you say, wryly. “Well two and a half, actually, I ran out of yarn on Jungwoo’s and made him a hat instead.”
“I thought you were just trying to get him to hide that ridiculous military haircut,” Doyoung muses. “Keep going or we’ll be here all night.”
“Now you’re impatient?” you ask, cementing your flirtation by shifting in his lap. You can’t ignore the feeling of his erection folded against the curve of your ass, or the way he grunts when you find a better seat with it nestled between your thighs.
“Sometimes I forget you were put on this planet to vex me,” he says. You’re lifted up by the waist, a hand on your lower back the moment you’ve found the desk for support, face above the book.
“Why don’t you try reading until I’m satisfied you know exactly what you’re getting?”
You don’t fight him, elbows bent as he rucks up your skirt. You feel your face grow warm with blood as you find yourself exposed to him again, locked in by his legs and his groping touch reaching up beneath your shirt.
"Base notes: amber and–" you have to fight to keep your voice steady as he swats your exposed curves, hard enough to sting.
"Ambergris,” he corrects, voice fried with delight.
“Ambergris,” you repeat. “And white musk."
"Good. And?"
"Bisabol–" you begin, corrected with another slap on your ass that hits, hard, glass jingling on the table.
"Did you jump ahead?" He asks, knowing full well your eyes are swimming with tears.
"No sir," you say. “I didn’t think that was a real word.”
"Opoponax." He says, reaching over you to grab a bottle, dropping a thick oil on you and rubbing it into your bruising skin. "Also known as sweet myrrh. Go ahead. Keep reading."
"Source: distilled from resin from ancient groves in Somalia, bought in Mogadishu from a local orchard, all profits to fund schools and clinics for women displaced by civil war."
"Do you believe this to be a charitable effort?" He asks, hand spreading over your buttocks. You think he might be referring more to your arrangement than whatever is written on the page.
"No," you say. Your history and political know-how might be lacking but you've seen the wrong side of kindness. "It sounds like what people write to make themselves feel better about exploitation."
"Clever girl," he answers. You feel his nose brush against your skin, testing the mingling of scent with it. "Keep going."
You turn the page, swallowing back your protests. This spread is rich with text and color, a veritable garden bursting from the page. You fix on the first entry in the upper corner, bracing yourself for another faux pas.
"Heart notes: Turkish rose," you say. "What is this, poetry?"
"Aren’t you familiar with it?"
You shake your head, lips pursed in delight at the scrawl of English. “No.”
You let out a gasp as he bites the flesh nearer your back, the sting of it surely leaving a mark by the way the pain lingers.
"Read it," he says, dipping over you for another bottle. “You’ll remember.”
"I know a bank where the wild thyme blows, where oxlips and the nodding violet grows," you dictate, stumbling over every word and yet never punished for it. Instead Doyoung lets a steady drip of the bottle fall down the back of your leg to your knee, his fingers bringing up the rest to mix what he's already poured on you.
"Quite over-canopied with luscious woodbine, with sweet musk-roses and with eglantine."
You end your recitation in a whisper, leather binding and paper gripped in your fingers as he massages the oil gently into your tingling skin, careful to avoid where your legs are locked together in arousal. You're heady with scent and sensation, awaiting some reminder that this isn't just a strange dream you’ve wandered into.
"There sleeps Titania sometime of the night, lulled in these flowers with dances and delight," he finishes for you as he paints the rest up your spine beneath your shirt. You let him ministrate on your body as the words settle, as time recedes and you face a version of your youth you’re not sure isn’t just fiction.
That book beside you, the first time he’d spoken to, long forgotten.
“Midsummer’s Night Dream,” you say, turning to face him again, settling between his thighs as he fails to meet your gaze. You lift his face with your fingers, cheeks indented by your gentle hold. “You remembered that, too?”
“It was the first time you ever looked at me,” he says. “And it felt like you saw right through me.”
No, you’re not dreaming. You’re the architect of this moment just as much as he’ll claim to be a cursory observer if confronted on it.
You take in his mismatched eyes–one folding a little more than the other when he smiles at you ruefully. Those freckles you’d never really spent time examining, a happy accident of the time he’d spent with you in the sun. His fingers catching yours for a moment when you weren’t paying attention.
But most of all, the haunted cast where he’d lost sleep managing someone else’s problems. When he’d still been worrying about yours.
“You’re always thinking of how to take care of the people around you, I think you’ve forgotten how to relax and let other people take care of you.”
“No,” you say, shaking your head. “I don’t think I ever really saw you until now.”
“What didn’t you see?” he asks, expectantly.
Six years of his careful distance from you, that coldness and disinterest just another mask for someone who was as raw and vulnerable and real as you if you managed to pry open their shell. His tendency towards control, towards the knife’s slice of cutting you so cleanly from his life no one would know your name unless he spoke it aloud.
There wasn’t another human being in their right mind who’d last that test, your only grace being that he’d thought you were untouchable. His best friend’s girlfriend, of course. But beyond that, one of his best friends.
No, one of his only friends.
“What didn’t you see?”
It wouldn’t require money or taste or a family name to bring Saint Kim down to earth. Just time and small acts of resistance, like the beautiful shell remnants you’d spilled into his hands on that last trip to Maui together, when it had still been the five of you. Each ground down to a small disc with a perfect spiral at its center, a reminder of the beauty remaining in broken things.
You place the notebook in his hands, curling your fingers around his. The pages it’s opened to are sparsely constructed, besides the photographs nestled between. Only you two know what’s there, buried in black sands and blue waters. You can see his handwriting falter where he’s written the notes for this moment in your shared history, sketches of those shells, and flowers.
A single photograph of you watching the others playing in the surf, his shadow cutting across the stretch of your legs.
Top notes: Jasmine for sensuality.
Orange Blossom for innocence.
Plumeria, for admiration. a new beginning . . .
You recognize the creamy yellow-white flower he’d tucked behind your left ear when you’d fallen asleep beside him. A non-native plant to the island, you’d learned, worn to indicate one was taken. A weed, like you, now prized as a treasure.
“What didn’t you see?”
You pull back to look at him, giving him yourself without reservation.
“That I think you love me . . .” you say. “. . . Like I think I love you, too.”
He looks up at you, astounded, the chair beneath him creaking as he collapses.
For once you regret being beside him when you’d heard the same words spoken to him by other people, pulled into their lives without you ever remembering their names. The difference between you, you once believed, was that they didn’t mean it.
Now, you understand, they just never knew the true cost of losing him.
You watch him collect himself, running a hand back through his hair and curling into his seat, memories forgotten in his lap, bedamned. You’re sure the engines of Hell are running hot for the way he can’t even look at you right now.
He needs a way out, you think. You’d rather be drowned in other women’s wine poured over your head than be on the receiving end of his disregard again, the script already constructed in your mind before you’d found you had the nerve to sleep with him.
"You can be honest with me,” you say. “Tell me it's been fun but you're not interested in a relationship.”
“What?” Doyoung is just as confused as when you’d told him you loved him, as honest as you’ve been in both sentiments.
“Your family will never approve of me. I’m just another fling you happened to take a more lasting interest in. It’s better this way. Cut me off, forget about me and move on.”
It's his turn to balk. You expect his pre-programmed response. Saint Kim's gospel for turning down the interested but uninteresting party: deflect, dissuade, detach.
“No,” he says, face draining of color.
“It’s okay,” you say. “I can handle it. Really. We can still be friends.”
“No,” he repeats, more forcefully.
“What do you mean, no?” you ask. “Isn’t that how this always ends?”
“You stupid girl,” he says, grabbing your face in his hands so you can’t escape, making you look into his warm gaze.
"Don’t you get it? This was always about feelings.”
When his lips crush against yours you don't have to speak to respond, catching his head so you’re not suffocated by the raw emotion you can feel in every movement. You return each kiss until the breath is out of your lungs, until you're drowning in his scent as he forces you back onto the desk.
You’re impatient to feel him, everywhere, aware you’re ripping buttons as you open his shirt to gain access to his smooth chest, trailing kisses as far down as you can go, still unable to escape his tongue sliding over yours.
“I wasn’t going to do this here, like this, but fuck it,” he says once he’s free, fumbling with his belt as he holds you to pepper your face and neck in a steady reminder of his affection. “I need you.”
“I need you, too,” you echo wholeheartedly, helping free him out of his clothing, pulling his length to where you’re still slick with oils and cum and ready for him. God, you think you’ve never been more ready to break around him, to show him what he’s brought out of you with this game.
“Please don’t make me wait anymore,” you whisper.
You watch his face, breath held and heart stuttering as he sinks into you slowly, both of you gasping at the way your heat resists each measure of his continuous thrust. It feels like he’s barely in you when he stops, making you moan in dismay.
“Doie, please,” you say, trying and failing to wrap your legs around his slender hips to capture him deeper. You’re half out of your mind with that burning weight inside you remaining still.
“Say it,” he says, taking off your shirt to have access to your skin. He pulls down your bra, nipples tugged between his fingers as he assaults your neck with his tongue and teeth.
“It’s special,” you choke out. “Thank you, please–”
“Say it,” he corrects, twitching inside you but not moving an inch more. He curls down to nip at your breast above the lace, sucking a mark into the softest part. “Without the ‘I think’.”
“No,” you resist, realizing what he’s asking too late. Your nails sink into his half-bared shoulder, head rolling against his. “You don’t get to torture me for that.”
“Don’t chicken out on me now.” Doyoung laughs against your cheek, hand splaying around your hip to still your squirming. “I can do this as long as it takes.”
He thrusts, just a little more, making you cry out in desperation as the contents of the desk tinkle behind you.
“Fuck,” you breathe. “You think I love you?”
“So, so close.” He pulls out, rocking into you again to feel the seize of your entire body when you anticipate just how far he’ll go before denying you. A little more, at least, and you can feel how much it’s taking for him, see the strain in his body as he holds back.
“You love me,” you tease, this time not a question, no you think. “Saint Kim loves me.”
He sheathes himself in you fully, gripping your nape to kiss you as you clench involuntarily around him, protests in the back of your throat muffled by his tongue sliding across yours. He tugs at your bottom lip when he breaks free, fully smiling now like he isn’t buried completely in your cunt just warming himself instead of chasing his own bliss.
“What did you call me?” he asks, leaning over you to retrieve something.
You take advantage of his distraction to snake a hand between you, slipping beneath your skirt before it’s grabbed, tight, and brought up to his lips.
“Don’t cheat,” he says, wrapping your fingers around the cap of a bottle.
“You never heard anyone call you that?” you murmur, opening it.
You smell spring flowers and delicate citrus before it’s taken away, set aside when you nibble and suck at his sensitive ear to make him twitch, hands drifting across his ticklish belly down to his hipbones. He reads your intent again, stopping whatever silly task he’s doing beside you to lift your wrists to his shoulders.
“The name is a little ironic, isn’t it?” you say, squeezing him experimentally with your thighs as you stroke his nape with your nails. You flex other muscles too–earning the grunt he makes as he feels you squeeze around his girth.
He angles your head, pressing something wet and soft to where your pulse flutters in your neck. You’re immediately permeated with a light, airy, sweetness, the different scents revealed like a melody that ends in that richer, warmer scent from earlier.
“Is that my perfume?” you ask.
“An anointment,” he says, blowing across your skin to dry it and sending a shiver down your spine to where your bodies are locked together, that fullness and muted pleasure of him radiating down to your toes.
“I do seem to have a demon inside of me,” you sigh into his neck as you rest your head against his shoulder. “Do they do that in exorcisms?”
“Blessings,” he corrects, adjusting with another grunt. “We’ll find out if it worked in about an hour.”
“An hour?” you grumble. “You think you can keep torturing me that long?”
“I think I gave you the key to your own cage,” he says, checking his watch. “About five minutes ago. Does it feel like longer?”
You mumble something into his rumpled collar, making him laugh beneath you. Even just that tiny movement has you involuntarily gripping him, abdomen clenched.
“What’s that?”
“I’llsayitifyoumakemecome,” you repeat, embarrassed enough to hide your face in the crook of his neck again.
“You think this is a negotiation, Y/N?” Doyoung’s hands are back on your breasts, thumbing the areola in slow circles that are very much a reminder of his touch earlier on your throbbing clit. You whimper, trying to stay still so he doesn’t figure out that if he continues to do that you might have a chance–
“You trying to make me come squeezing me like that?” he asks, breath ragged. “That seems like a quick way to end this.”
“You . . . you could just fuck me,” you wheeze, feeling the way he teases your pebbled, hard nipple with lighter brushes, his mouth quirked where it’s pressed to your forehead.
“What if I want to make love to you, instead?” he asks. He inhales sharply at your body’s response.
“Fuck, you liked me saying that, didn’t you?”
You nod, unable to speak, holding onto him in desperation as the combination of his words and soft strokes make you melt into the pleasure of every small motion of him inside you. You realize he’s unconsciously pushing into you, too, unable to keep his hips from pressing into yours.
Overstimulation is making you hyperaware of the scratch of his unzipped jeans against your burning thighs, the random brush of his open belt against your belly. Time seems to disappear as he holds you quietly, letting you soak up the fragrant, radiating warm reality of him.
“I can wait all night for it,” he threatens, even just his lower register making you quiver a little around him. “Count every time you twitch and moan on me until you break.”
You’d felt him flag a little while he worked but now he’s fuller inside you, stretching you wide as he twitches to life. It’s even hotter than all of this build-up, you think, knowing he can act a menace but that the idea of you surrendering to him is what’s really getting him off.
Of course, you think, mentally steeling yourself like you’re preparing for war. In a way this is something like it, up against as formidable a foe as he is.
“Doie,” you whisper, threading your hands in his hair as you nuzzle for his lips, kissing him softly and intimately, like it’s your first time. “When did you know?”
“What?” He goes a little rigid against you, unable to hide his rapid heartbeat with how close you’re pressed to him. You blink up at him, expectantly.
“When did you first know you loved me? Really?”
He smiles, shyly, but you see the hint of anxiety on his features beneath his arousal. There it is, you think, having to hide your own satisfaction.
“Is this a trick question?” he asks, warily, eyelashes half-lowered.
“Not if I know the answer,” you say, smoothing his kiss-swollen lips with a touch. “I don’t think it’s in that book, either.”
“Really?” He’s intrigued, a tentative rock of his hips against you making you dizzy. “Tell me.”
You shake your head, just as playful.
“I’ll tell you later,” you say. “After.”
He sighs explosively, nose wrinkling. “You don’t know.”
“Want to bet?” you ask. It’s always a little thrilling seeing Doyoung presented with an opportunity he can’t resist. He fumbles for the notebook beside you, almost slipping out of you when he has to reach even farther for a pen.
“Write it down,” he says, smug as a cat who’s caught something small and easily toyed with.
“Only if you do, too,” you say.
His answer is a pained sound of agreement, adjusting himself against the desk.
“No peeking,” you say, flipping to a page in the back.
“Wait,” he says, grabbing the book before the nib of the nice pen touches the creamy paper. “What are the terms?”
You ponder for a moment, feeling a grin slide onto your lips. “Doesn’t our perfume need a name? Whoever is right, gets to name it.”
You can practically taste his delight as he leans in to kiss you, forcing you to pull your page closer to you. You make him wait, filling the blank space as best you can with detail as he fidgets between your legs, sending small shocks of pleasure through you both.
“Thank you,” he says in earnest once you’ve handed him it open to a new leaf, his hand and the notebook shaking a little as he tries to write mid-air, finally resting it awkwardly atop your head in order to scrawl out his own answer.
“My eyes are closed, Kim Doyoung.”
“You’re a cheat,” he says, shushing you with an added thrust of his hips.
You settle back on your elbows, already enjoying your victory as you feel the tiny pressure of his handwriting, hear the scratches of his sketch. You're more emboldened than ever when the leather binding snaps shut.
“Now tell me,” you say, looking up at him coyly.
“Can’t I just show you–”
You snatch the book from him, turning to your entry. Then, to his horror, you rip your page free and fold it shut, tucking it into the pocket of his open shirt.
“Tomorrow morning,” you say. “You had 24 hours, right? I’ll give you my answer tomorrow morning.”
Doyoung looks as if he’s tasted something sour. “You won’t tell me.”
“I’ll tell you that you won,” you say, looking down at his page. You trace the fresh ink with care, admiring his tight script and explanation. “February to April? How could I have guessed an entire season?”
“Did you at least guess the year?” he asks, looking a little better for your affirmation of his win.
You nod, finally feeling the discomfort of your position and resting your head against his warm chest. There’s nothing awkward about being wrapped around him like this, the late hour and strange, still space making it easier to forget the world outside.
“Hard to forget,” you say. “I thought for sure I’d never see you again after that winter holiday.”
Another break with Johnny, of course–but this one had been your choice. You’d finally felt the crushing weight of two years of contempt from the people around him, the Suh family matriarch at the center of it all, doing everything in her power to crush not only you but the people you loved.
And then, when you’d needed him the most, Kim Doyoung had walked away from you, too.
“I didn’t think I’d see you, either,” he sighs. “It was the first time in a long time you weren’t with us. With me. And it was my fault for pushing you away when you were just trying to–”
“It’s in the past now,” you cut him short with a finger pressed to his lips.
The memory is painful, still–and you don’t want to sully this moment with it. You appreciate that even in his roundabout admission there’s a clear understanding for all you’d been through. You’d hoped he remembered that time from the past, when you’d first peered between the cracks in his carefully-manufactured facade.
Now you could be sure of what it meant to him. You feel like your own walls are crumbling, the light shining through.
“So you chose the period of time when we didn’t speak to one another, at all?” you muse. “Not just one day?”
“You know what they say. Absence makes the heart grow fonder,” he says. “You were on my mind every minute and every hour of those three and a half months.”
He pauses, sigh warm against your brow. “I couldn’t tell you when I knew, for sure. I certainly couldn’t admit it, then, even to myself. But sometime then, I realized I cared more about you than a friend.”
You’d never doubted he was capable of it, never doubted it might be true. But hearing him admit it, now you know why he wants to hear it from you, too.
“Say it,” you say.
He finally looks at you again, tired but alight with amusement.
“You first,” he says.
“Who knew three simple words would be so difficult for Saint Kim?” you tease him.
“Alright. Come here,” he motions, slipping out of you with a shared groan. He pulls you to a couch under the shuttered window, settling down and forcing you to straddle him. In this position he can’t stop you from immediately taking all of him, his eyelids fluttering when you bottom out.
“You feel like heaven,” he murmurs.
“You’re not going to last,” you laugh, delighted by the way his nose scrunches when you clench around him.
“Says the girl who’s sucking me in like you never want me to leave.” He grabs on to your hips to roll them against his own, fingers tightening when you wriggle against him. “You’re gonna say it first even if I have to fuck it out of you.”
“Whoever comes first, then?” you offer.
“I can live with that,” he sighs, head resting back on the couch.
You rock on your knees slowly, satisfaction warming you throughout as you force him all the way inside you. You let him hear how he makes you feel, pleading sounds and whispers every time he hits that place in your upper walls, curved inside of you perfectly. It doesn’t matter if you're in control you can’t help but hunt down that lovely rush of pleasure in your belly, twining your arms around his shoulders to steady yourself.
“Good girl,” Doyoung praises, watching you in awe through half-lidded eyes. “You’re so beautiful. I always wanted to know what it would look like when you lost yourself with me.”
His words make you shiver, brushing his lips until he holds you against his mouth to show you how he likes it, less exploratory and more confident. It’s maddening how good he is at this, making you feel every single sweep of his tongue across yours, hand on your neck keeping you from escaping.
“Don’t you want to–” you protest as he helps you to lay flat on your back across the length of the wide loveseat, settling between your thighs.
“Oh god, Doie,” you whimper when he takes over, finally, finally, beginning to fuck you. It’s just as slow but at least he penetrates you fully before pulling out almost all the way, shoulders quaking as he holds himself up.
“Promise me you'll let me dote on you for the rest of your life,” he says, not waiting for your response before driving into you again. His movements are barely controlled, grunts escaping the back of his throat when his hips snap into yours again.
“I promise,” you hold onto him, back arching off the cushion to meet him, blissed out in the relief of each, careful stroke against your fluttering walls. That crescendo is happening whether you want it to or not, every overworked knot of muscle threatening to snap loose.
“Promise me that no matter who you fuck you’ll always let me treat you right,” he says, voice breaking. “You’ll let me show you how I feel even when I can’t say it.”
“Yes, Doie. Yes.” You pull down on his shoulders, trying to move for you both, kissing his jaw and throat.
“Stop fighting me and take it,” he says, moving more easily with the thick coat of your cum, establishing a gentle rhythm.
His voice has always made it hard for you to pay attention to anything else but he abuses that power now, murmuring guidance into your neck that has you tightening around him as he fucks you deep and slow.
“That’s my girl,” he praises. “You’re taking me so well. Take all of me.”
You feel shivers up and down your body, nipples hardening tight as they brush against his chest, his hair tickling your forehead as he blindly kisses and licks at your mouth and chin.
You’d thought he’d be concentrating on something else in his head to keep from losing himself but instead it’s you who's floating, breath captured in your lungs when he adjusts on top of you to pin your hips down, pressing your leg wide to bury himself to the hilt.
“You feel so perfect. I could really do this all night, you know,” he smirks down at you from where he’s supported on his elbow. “Is that what you want?”
“No, fuck, please,” you whine. There’s no thoughts in your head besides just how much you want that ache inside of your cunt to melt into real pleasure.
“You want me to stop?” he asks, feeling how you begin to pulse around him as he swirls his hips up into that most sensitive part of you, his flat belly grinding into your clit. You gasp, leg locking around his, helping him work you apart.
“No no no,” you beg, face hot. “Just . . . just kiss me through it, please.”
Doyoung’s smile grows wider. “Say what you already told me.”
You twist your head against the cushion, earning his hand on your jaw as he makes you look at him while you break, kissing you between panting breaths. His confidence is written in the cocksure grin remaining on his mouth, more cruel when he bites at your bottom lip, hard, before licking the pain away.
“Say it,” he breathes, slowing down on purpose.
“I . . . ah,” you cry out, “I love . . . please don’t stop.”
“What’s that?” he asks, pace punishingly slow. Your legs lose feeling, vibrations starting in the back of your thighs and tremoring down to your feet.
“Oh god, oh god, oh god,” you repeat, nearly tipping off the edge, “I’m coming, I’m finally–”
He slows down right as you hit that crest, making you cry out in frustration.
“Doie, I’ll kill you–”
“Say it,” he says into your lips, pulling out–too far–
“Iloveyou,” you exhale, seizing around him in time to your wildly beating heart.
“Louder.” He slams into you again, merciless.
“I love you, you stupid bastard,” you say, hanging on to his shoulders. “I love you!”
“Good enough,” he says, drilling into you until he can feel you break, orgasm sustained through the painful pressure of him losing himself in your throbbing heat, finding your mouth again, finally, to silence the repeated mantra on your tongue.
You kiss him fiercely, unloading everything words aren’t enough for, legs tied around his waist to keep him locked inside you until he’s fighting back, fucking you so hard the sound of it fills the quiet room.
“I love you,” you repeat a final time for him, just to watch the way it makes him break, jaw slackening when he loses control, finally.
He stutters into his own orgasm, teeth scraping against your locked lips, forehead pressed into yours as he empties inside you for what feels like forever, finally collapsing on top of you with a whimper when his arms give out and he’s as limp as his cock inside you.
You scrape your nails across his scalp, soothing him. You don’t mind his weight, or the way you’re still pressed together with sweat and your combined spend.
“Wasn’t so hard, was it?” he rasps, eyes dazed as he looks up at you.
“No,” you say, shaking your head tightly. “Not for me, at least.”
“You’re not mad?”
You know he means his inability to say the magic words but you crack a smile, just as pleased with yourself.
“About the bet?” you ask. “No.”
Oh, it’s delicious seeing realization dawn on his face, little glimmers of surprise and horror bubbling up from his afterglow.
“Fuck,” he says. You’re grateful he doesn’t deny it, rolling to the side in defeat.
“Who told you? ‘Woo?”
You laugh softly, rolling over to pin him down with your leg, trapping him against the back of the couch.
“You did, right now,” you say, relishing having him where you want him. “I had a hunch. And I know you, you’d never beg for someone to say something during sex–”
“I didn’t beg,” he corrects, grimacing.
“What was it? The first one to get me to say it? Bonus points if it’s on your cock?”
“Ah, well,” he says, perking up despite the fist pressed to his forehead in embarrassment. “Then you don’t know.”
“I’ll find out soon enough, Jaehyun wouldn’t–”
“You’re really not mad?” he asks, painfully reticent as you pull his hand away from his face and twine your fingers together.
“Not if it means I can use it as leverage,” you say, kissing his knuckles.
That doesn’t seem to surprise him, at all.
“Good girl,” he says. “What do you want?”
A few years ago, give or take
You’re a little too happy, an awful fact considering how much he'd missed seeing you this way.
Lately you’ve been sleepwalking through your life, all those tiny fractures and bruises finally having the time to mend–but healing is a painful process in itself. Doyoung had returned from his family’s formal Chuseok gathering in Singapore, eager to check in on you after receiving sparing responses from you via text.
You didn’t have a friend he could check in with instead any longer–not after that one girl had fled the country, the other ghosting you after their father was mysteriously laid off from a company he well knew did business with Suh International.
He’s worried about you long before that, terrified that one last straw would break you even if by all indications you were strong enough to take it. After you’d had Johnny arrested and solicited a no-contact order you’d cut your ex off completely, moving to a tiny apartment far from where you’d grown up, changing your number.
Only Jungwoo knew about it, and it was he who’d reluctantly offered your whereabouts to him after a few glasses of whiskey in their usual club.
“She asked me to keep her info on lockdown. Got that hacker kid, what’s his name–Haechan? Wiped her socials off the map, so he can’t find her. He did good but you know Suh.”
Doyoung nods. They hadn’t seen him in a few weeks, probably because the idiot was combing through every civic office and apartment building in the city. Hell, he’d probably driven around until he found her by sight alone, knowing that animal wouldn’t rest until he knew her whereabouts, as stubborn about chasing her down as he was about refusing the F4’s help.
“His mother called me to ask if the place he bought in cash was for her,” Doyoung says, knocking back his drink as he receives a text, heart sinking that it's not you. “Did you help him buy it for her?”
Jungwoo sighs. “No. I just got her rent halved with some coercion, you know? But then he goes and buys a unit in the same building with whatever stash he thought the Old Tiger didn’t know about.”
The Devil Kim leans back, long legs akimbo as he gestures towards the server for a refill. “He’s waiting for her to go back to Chicago before he moves in. But you didn’t hear that from me.”
“I did not,” Doyoung affirms, turning away from the group of women at the bar sending looks towards their private table. “Let’s plan for when Madam Suh leaves. I can have her pull him into the London offices, considering he’s failing his courses.”
“Stone cold,” Jungwoo says, smirking. “Glad I’m not on your shit list.”
“Just don’t fuck with her,” Doyoung says. “Or fuck her.”
Jungwoo laughs into his glass. “Even I’m not that stupid.”
He’d thought he wasn’t, either.
Not until you’d called a few days later, your speech a little slurred. He couldn’t have told you if what he was doing was important even if he was in a meeting, showing up to find you picking at a bowl of bar snacks in what he thought might be one of the nicer bars in your shitty part of town. Not as shitty as your old neighborhood, but it wasn’t a competition.
“Saint Kim,” you’d heralded him, raising an empty glass still smelling of watermelon and hibiscus.
“You shouldn’t be drinking alone, here,” he’d said.
You were dressed in one of your few nice outfits, a little on the revealing side for his tastes, but those had been Johnny’s you’d conformed to–animal print and thin straps, tastefully tasteless.
“I wasn’t,” you say, hiccuping. “Alone.”
For the first time in a long time fear spikes his blood pressure into overgear. Were you drugged? Was he going to have to fend off another predator who'd found you vulnerable?
You deserved the chance to move on but there was a real threat in what would happen to anyone who approached you without their permission. Johnny’s, yes, always, but the F4 had also agreed to look out for you well before your last incident at a club.
“Who?”
“She left,” you say. He feels instant relief, reaching out to adjust the thin coverup slipping off your bare shoulder.
“You make a new friend?”
You shake your head. “She’s nice. Met her in one of the ikebana classes work is paying for. Thought we were hitting it off but I must have said something dumb because she ran out of here, fast.”
You look up at him cautiously, too inebriated to realize he can recognize a set-up before it begins.
“You didn’t just talk about your ex, did you?” he asks, settling beside you at the bar. He orders something less ridiculous than whatever you'd been drinking, while you scroll through an Instagram feed, finger trembling over the screen.
You look up at him, color-stained lips curving in an easy smile. “You want to see what we’re working on?”
Doyoung finds himself looking through a grid that is immediately obvious is not yours. His mouth goes dry, seeing rows of beautifully-staged floral centerpieces, the backgrounds as familiar as the back of his hand. You don’t seem to notice, going to the user’s story and tapping in vain to find the picture she’d posted.
“She deleted it already. Huh. Well, she texted me the picture–”
“Stop.” Doyoung places his hand over yours, his palm damp from the immediate flood of adrenaline.
“So you do know Mona,” you say. You look up at him, expectantly, eyes glassy with the brand of hopefulness and naked curiosity he’s seen you charm everyone else around you with before.
“She’s the one, isn’t she?”
Doyoung pulls cash from his pocket, not caring how much he puts down except that he’s sure it’s enough to cover the amount he’d like to drown himself in right now. Enough to go blind and burn out the phantom of that face he’d put behind him years ago.
“Put your coat on,” he says. “I’m driving you home.”
“But I’m not–”
“Now,” Doyoung says, grabbing your wrist. He’s barely ever touched you in the years that you’ve been friends, and it sickens him when he feels you freeze in fear and confusion, that trauma response buried so deeply it's in your bones.
He wants to be kind, he wants to be patient with you. He just doesn’t have it in him to be anything to you right now.
“What’s wrong, Do–?”
“We’re leaving,” he says, dragging you out into the bitter cold evening, the streets slick with sleet, your heels catching on the pavement as you stumble in his wake.
“Stop,” you yell at his back, trying to yank your arm free from where he’s bruising your skin with whitened knuckles. “You’re hurting me–”
“You’ll live,” he says, pulling you to where he’s parked his car, the engine roaring to life the moment you manage to close your door. He can barely look at you, realizing too late that your crestfallen expression is making him more upset than the lightning strike of seeing her name again.
“You didn’t ask my address,” you say, quietly, met with his silence as he drives much more dangerously than the weather permits. He's forced to speak with you once he's slammed the brakes at an intersection, red light shading you through the windshield.
“Tell me one thing,” he says. “Did you try to set us up by having me come there?”
You’re petulantly silent now, an answer in itself.
“Answer me,” he orders, hands gripping the wheel.
“I thought you’d want to–”
“Do you think we have the kind of relationship where you can just do whatever you want and get away with it?” Doyoung’s voice is calm but he sees you flinch at his words and tone, your shoulders moving under your jacket as you begin to quietly cry.
It drives him deeper into anger, hitting the gas with a roar of the engine the instant the light turns green.
“You don’t get to feel sorry for yourself for this one, Y/N,” he says, already regretting every word tumbling out of his mouth. “You fucked up.”
“I just thought you could both have some closure after that–”
The car jerks as he brakes in the side lane of the service road, cars roaring past them honking their horns. Your sobs are barely audible over the idling engine and the blink of the hazards he turns on while he tries to find calm, your face turned away from him.
“You thought that interfering in other people’s personal lives would make you feel better,” he says. “No wonder you don’t have any real friends.”
Out of the corner of his eye he can see your full body shakes still, can feel as that armor encasement you’d put together piece-by-piece over years of dealing with loveless reality falls back into place. And, years later–no, even hours later–he’ll remember how at the time he was stupid enough to think it was the right thing to say.
You needed a reality check, he’d thought. A reminder that all the wishes and hopes in the world wouldn’t change the bleak architecture of it, uncaring by design and much easier to navigate without them. That moving on was the only path to this idiot’s dream of closure, something you knew nothing about for how often you’d let them pull you back into their world, blinded by sunk-cost and loneliness.
All the things he wished he believed for himself, but without the benefit of your optimism.
“Fuck you, Kim Doyoung,” you say, opening the car door and slamming it shut without so much as a glance behind you. He’d waited to make sure you reached the nearest bus stop before driving off, calling Jungwoo to let him know you were here–crying in the cold.
He'd seen you in passing.
His best friend knew a lie when he’d heard it, most especially from him.
He wouldn't hear from you again until spring.
Kim Doyoung can’t sleep.
He’s not allowed to.
He can’t move either, arm going numb beneath your curled body, your breathing finally easing for the dozenth time since his trial began. You have horrible sleep habits–kicking off the covers, stealing the pillows–but tonight you’ve passed out with that same bone-deep tiredness he’d felt earlier, face beatific in the slivers of light piercing through the slatted shades.
It’s close to dawn, he thinks, the cacophony of insects and birds outside transitioning from a quiet chorus to a full orchestral suite. Soon it will be too loud to sleep deeply.
“Y/N?” he whispers, tentatively, not daring to move.
You don’t respond, relief rushing through him. It’s not that he’s desperate to join you in slumber but that he’s waited for you to finally surrender to REM. He needed you down.
And you needed it, too.
He’d negotiated with Jaehyun when you’d been in the shower, earlier, sacrificing precious moments of shared time exploring your skin and the new taste of you under the water to supplicate himself to his best friend and worst enemy in this moment.
“It’s a charter,” Jaehyun said, blinking sleep from his eyes but awake enough to be angry. “You’re not finding another one short term.”
“I emailed you the tickets. Cattle car but first class, at least,” he says. “Jungwoo agreed to give you his day, he doesn’t want to take her out until after dark, anyway. You can sleep in tomorrow.”
“Fine.” Jaehyun had slammed the door shut in his face, but he hadn’t missed the budding smile on his friend’s face. At least one person was rooting for him.
That’s how he’d earned another morning with you. As always, making up for lost time.
You’re half out of the covers, one leg sprawled over the duvet as you sleep. You’d put on one of his softer button-downs, inhaling the smell of it after he tried to steal it back.
“Please let me wear you,” you said. “I want to dream about you.”
Being around you like this is more comfortable than he imagined, as if you’re being slotted into a position he didn’t even know there was an existing space for. He’s woken up to women in his bed but you’re the first who’s ever asked him for this, particular experience.
“I used to have this fantasy, you know, whenever we crashed at your apartment.” He’d watched you go sheepish recalling, dates omitted for a reason. “Sometimes I’d lie there and touch myself thinking about you crawling into that guest bed–maybe a little drunk or you’d forget which room. Or maybe, you just wanted me to think that. I’d be awake but I’d pretend to be asleep while you . . . used me.”
He experiments by tracing his fingertips up your bare leg, the peek of your lace underwear beneath the hem of his shirt maddening for how it curves into the crest of your ass, presented for him. A treat dangled before him, the command to partake only that you wanted him to make it slow–you wanted to wake to it.
He sucks a breath in, erection in his sweatpants hard against the band already from just watching his sleeping beauty. He finds every mark on your leg, every fine hair, thanking Heaven above you aren’t overly sensitive or ticklish like he is when his hand slips beneath his shirt to your belly.
He slots himself against you, carefully, as if adjusting in his sleep. He has to wait for your breathing to even out again, slipping his free hand up to your breasts.
“Used you? Did you not get off in this scenario?”
“I mean, yes. But it’s mostly about you. You wouldn’t say anything at all, you’d just fuck me full of your cum and then you’d leave me leaking it on your sheets and go back to your room. Or sometimes I’d crawl in your bed, if you were alone, and you’d cover my mouth so the others couldn’t hear it. And the next day it would be like nothing happened, you wouldn’t even bother to ask how I’d slept.”
He loved how much of a slut you were, when you felt comfortable enough to share that side with someone. Johnny had certainly never appreciated the subtleties of your nature–too blinded by adoration to even consider degrading you on purpose.
No, Doyoung had known for awhile you pushed the boundaries with him to see if he’d break.
Your nipples harden even though he’s barely handling them, discovering what shape your breasts make in repose as he tries desperately not to rut into the swell of your ass. Warming himself in you earlier had been one of the hardest challenges he’d faced but it had been worth it to learn you inside and out, to know how to make you grip his cock with that delicious little cunt of yours with just a kiss or a word that pleased you.
You don’t wake but he knows he’s gotten through to that little lizard brain of yours when your legs rub together unconsciously, pushing back into him so his cock is settled between your buttocks. The friction from the lace is like the proverbial pea under a mattress–rubbing against his cock through the layers, catching on the veins and scraping the underside of his cockhead.
It’s already a nice ache, one he ignores as he adjusts to better continue plucking and teasing at your body beneath your shirt, until you’re used to his touch enough to truly fall back under, once more.
You're so vulnerable, completely at his mercy as he brings his hand down to test the patch of moisture growing in the fabric, that lace sticky with your dreams of him.
Use you, he thinks. You have no idea what he wants.
Doyoung can play with the fantasy of you crawling into your boyfriend’s best friend’s bed while he’s passed out in the other room, determined to be punished for waking a sleeping monster . . . but it’s not what he's fantasizing about now.
He takes time in stroking you, a single finger digging in between your lips through the fabric, listening intently for your breathing to change. You sigh, one of those full exhales one does in their deep sleep, but you arc back a little, into his touch, leg falling forward crooked so you’re a little more spread.
Doyoung wishes he could move down there and use his nose to push you apart instead of his hand but that’s not your fantasy–not this time. You didn’t want him to spoil you anymore, completely underestimating his love for it. True, he didn’t often eat other girls out, too personal or just too much of a chore to figure out what they liked, but you weren’t ever going to be with him and not come from that first.
Just the thought of tying you up so he can spend hours fucking you on his tongue is making his cock pulse, too hard to be ignored. He quietly pulls down the drawstring of his sleepwear, freeing himself so he can replace his finger with the much wider tip of his cock, biting back a groan as he rubs into that damp, soft lace he’d known would suit you the moment he’d touched it in the display box brought to his private buying room.
You'd never know he’d already fucked himself with it before ever giving it to you, that errant fantasy of touching you finally realized as you whimper a little in your sleep at the soft push of him between your legs. He finds where your clit is getting just as swollen as the rest of you, bouncing against warmth and the promise of unspooling that need with his help, again.
Just his precious little cocksleeve, spoiled and worshiped, showing your gratitude by begging for it even when you’re unconscious. He tests the waters of the scenario by slowly pulling the seat of your underwear to the side, easing in between the fabric and your folds.
You twitch against him, sheets rustling. He holds still, cock jumping and balls tightening with a little anxiety.
He only has this one chance.
Outside in the dark and quiet of the house sleeps the man everyone knows you’re really with, the one who doesn’t have to fight for an I love you to pass your lips. You’d never understood what it felt like watching you climb into Jaehyun’s lap whenever the whim took you, pretending you didn’t know what it did to him or the other two of them watching you.
Your breathing is shallow and your hand flexes a bit, against the pillow, but that’s it. Within a minute he’s grown more confident that you’re still asleep.
He reaches over you, pressing the pads of two fingers against the front of your underwear while he slips a little deeper between your legs, eyes almost rolling back in his head at the contrast between the satiny slide of you and the rougher cling of your panties. It’s a relief as he loses himself to it, rutting from the back while he applies constant pressure to your bud.
“Mmm.” You make a soft noise, but he doesn’t pull free, choosing instead to keep a hypnotizingly steady pace fucking against you. Your hips twitch against him, seeking out more contact, but he doesn’t rush–pressing his head against the back of yours and melding with you in the softness of the pillows and sheets.
You’re so wet you’re soaking his pants, everything he collects tickling down to his balls pressed into your ass. He’s going to stuff your mouth with his fingers, when you finally open it, make you gag on them while he fills you full from behind.
You moan now, voice syrupy with sleep. He doesn’t care if you’re still down, not with you gently pushing back, trying to get release.
Not yet, you little harlot, he thinks, hips going still again. He’s burning at the wait, your cunt continuing to glide against him as you act out whatever is going on in your dreams, the movement making him insane for how closely it adheres to his desire to have taken you back when you were innocent, his little virgin weed learning what her body wanted, seeking it out in his bed.
“Treat me like one of the girls you don’t really like. Use me.”
Such an unending fantasy of yours that he never wanted you, almost sweet for how dumb you are–or just willfully ignorant. He’s always liked the second one better–your little game played out that you were one of them. Dressed in that school uniform, kicking your skinned knees, sucking on a piece of candy while four college-age idiots hid their bathing-suited boners under their robes, fighting or fucking around in front of you so you could keep up that precious little illusion of immunity.
“Johnny,” you murmur in your sleep.
It should make his blood run cold but as with all twisted-up and tangled desires it only makes him feel ignited, pulse pounding in his head. You’re still asleep and thinking of someone else, someone not even in this house, the guilt of it passing over him faster than a cloud on a breezy day.
He rocks back into you, this time pulling out enough that he can find your soft hole, already tight again–the only part of your body not relaxed as he forces his way past the flutter of your opening, cockhead sensitive enough to sense the more textured g-spot where he knows you’ll come fast and easy if he fucks into it.
“Shh,” he says, finally trailing his mouth against your jaw, pushing into you softly. “Go back to sleep, baby.”
“Mmhmm,” you reply, nuzzling into the pillow, curling into him. He pushes a knee between your legs, folding you into the bed beneath him as he begins to fuck you, finally taking you for himself and himself alone.
You’re so warm inside, body adjusting to take him easily for how boneless you are, kitten-like mewls muffled by the pillow. It turns him on hearing the edge of pain there, the way you struggle when he pulls your underwear up so tight it sticks between your folds, clit rubbing against it the way he’d stroked himself to completion with it tied tight around his cock.
“Stay quiet or I’ll stuff your mouth full instead,” he whispers against your shoulder, feeling as always a little stupid but losing that internal cringe when you choke on a moan.
“Is that what my little slut was dreaming about? Gagging to tears on another man’s cock?”
He feels you tense at a bit at the suggestion, letting him use you in spite of the rougher handling.
“That’s right. You said another man’s name in your sleep. Do you think that's acceptable?”
You shake your head, whimpering.
“Such a whore you can't keep track of who's dick is inside of you. Tell me, who's fucking you right now?”
“Doie,” you say, music to his ears. He'd always hated the nickname until you started using it. You were the only one–you were always the only one who made his chest burn with unsated desire when you said his name.
“Who owns this tight little pussy?”
“You do,” you gasp out.
“Are you going to forget me? Maybe I need to fuck you so hard you only think of me when you spread your legs for another man.”
Doyoung feels electric at how easily you begin to crumble with just a few words, squeezing his dick so tight when he says something you like, even more when he makes it hurt.
“Sleepy baby going to let me stuff every one of your holes until I’ve had enough? Use you like my own little doll?”
You nod, no longer capable of speaking except in a plaintive moan when he leaves you to shuck off his pants and pull down your ruined panties, pillow pulled beneath your belly to force your ass up. In this position he can drill into you deeper, burying you into the mattress with each thrust.
“That’s what you get for crawling in here,” he says, fingers digging bruises into your hips to hold you down. “Keep your mouth shut and take it.”
The pleading, almost scared noises you're making have him hard and pulsing, two steps away from coming himself but in no hurry to. He pulls your hair to bring your head back, shoving his fingers in your mouth.
“You like that?” Your cunt can't hide it, sucking him in. “Get them wet for me.”
You drool over his knuckles, gagging as he fucks your mouth with them in an awkward rhythm to his merciless rutting. He spits into his hand when he's satisfied, fingers swirling around the tight rim of your ass so quickly it makes you buck.
“Don't scream,” he murmurs, giving you two fingers at once. You make a noise through the pillow you're biting, gripping him tight. He's gentler with this, slowing, letting you adjust to take him.
“This is my favorite, right here,” he groans. “Feeling my cock inside you with my fingers. I'd fuck this tight little ass again but I want to feel you come like this.”
He begins to stroke you harder, deeper, wet and sticky when his balls slap against your abused cunt. He keeps his fingers buried in you, scissoring you open as you take it.
“Come for me, Y/N, grip me good so I can fill that pretty mouth of yours.”
It's a beautiful feeling when you begin to throb, contractions in your ring of muscle letting him know when you hit your peak. He fights the tingling in his balls, the urge to come with you painful for how long he's been holding it back.
He talks you through it, instead.
“Such a good little hole,” he says. “You're coming so hard, baby, can feel it so well.”
You moan, loud, as you break, loosening almost immediately, flooding him with sweet, hot warmth. He makes sure the last of those tics is gone before pulling out.
“Roll over,” he says, straddling you with a hand on the headboard, delighted by the sight of your flushed face and starry eyes. You already know what to do, tongue lolling and uvula exposed as he guides himself into your mouth, soft tongue swirling around his tip.
God help him he's been thinking about this since yesterday, pushing deep enough to gag but not choke, fucking your mouth and the hot tightness of your throat when he hits it. It’s the sight more than anything that drives him to spill hot white ropes of cum into your mouth, pulling out to milk the last few splashes on your parted lips and delighting at the sight of you licking them with your spend-covered tongue.
“You’re so perfect,” he says, dropping down and kissing you, finally, tongues stroking each other until you finally pull free to breathe, blinking up sleepily at him.
“You do taste different,” you tease.
“I taste like you,” he says, pressing soft kisses all over your face. “My sweet, sweet girl.”
“Did you like that?” you murmur.
“I loved–” he pauses, watching the smile spread on your wet lips.
“I love you, you know,” he finishes. You reach around his neck, comforting him out of instinct, but he doesn’t need it.
“I love you,” he repeats, testing the words on his tongue now that they've flown out so easily, the tightness in his chest easing as you rise up to kiss him.
“It's beautiful to hear you say it,” you say. “But you're right, I know.”
“I think I even know the exact time and date,” you say, reaching between you into the pocket of your shirt to pull out that torn and folded art paper scrawled with your words and an amateurish sketch.
Tomorrow morning . . .
[Unknown number] [Tomorrow morning April 13th dawn is at 6:17] [I have something to show you. Meet me on the roof of the East Wind Hotel]
Doyoung looks at the text message again, hand hanging over the railing of a dance floor, conversation with the woman by his side forgotten. With the blur of a late night and a trip to a different hotel room, with a different woman, he'd almost missed it.
Probably one of the innumerable flings he's had, Jungwoo recruiting him to get every last lick of enjoyment out of Seoul before he enlisted. His friend snatches the phone from his hand.
“No business,” Jungwoo slurs, eyes bloodshot as he focuses on the text. “I thought you weren't working hospitality anymore.”
“It's not . . .” There's something nagging at him, like a bird pecking at his skull in time to the drone of the EM, the buzz of conversation. A sense of deja vu so strong he's forced to cycle on it.
“Pfft. I know you don't bring girls back to your kingdom,” Jungwoo says. “Stop working and party.”
Doyoung doesn't know why he feels compelled to see the cryptic message through, doesn't know why he races across town at 5 am, reeking of whiskey and another woman’s perfume, doing his best to sober up as the designated driver talks about the change in weather, the cherry blossoms in full bloom outside the window.
The morning commute is already surging and the destination central to the city so by the time he makes it he's out of breath from running two blocks away from a jam, head pounding.
“ . . . restricted for non-guests,” someone is saying, voice recognizable as an intern he knows from his leadership program, still stuck on night front desk duty.
“I just need a few minutes, please. I need to take a picture–” He'd recognize that voice in a hundred years if he hadn't heard it, not just a hundred days.
“What's going on here?”
You freeze, shoulders stiffening as you turn to face him. Not much has changed–a new haircut, same ratty old sneakers–but you look different. No longer a ghost, but just as untouchable for the skittish way you hold when he approaches, only the barest relief on your beautiful features.
You don't smile, don't even say hello.
You're scared of him, again, just that thought making him spiral.
“You came,” you say, exhaling. “We need to hurry. We need to get to the roof.”
Doyoung turns to the staff. “Is the roof access still shut down?”
“Stair access only, sir.”
Your eyes go wide at the interchange, something like embarrassment passing over your features as you begin to laugh.
“Of course this is your hotel,” you state, smacking yourself on the forehead. “Of course, why didn't I think to check that. God, I'm an idiot.”
“We didn’t change the name when we acquired the chain so it would be unlikely for you to have guessed that,” he says. “What are you doing here?”
“There's no time and it's easier just to show you. We need to get to the roof, now,” you say, grabbing his wrist and tugging on it towards the stairs.
“Y/N,” he says, holding you fixed and pointing at the elevator. “We can take it up as far as we need to.”
You're still laughing maniacally twenty floors up. “I was going to cry if I had to go up another flight of stairs.”
“Are you really taking pictures?” He asks, gesturing at your camera.
“No, but I started carrying it the first time someone called the police on me thinking I was going to jump,” you giggle, wiping away tears. He feels delirious from lack of sleep, so maybe you are, too, but it doesn't seem to be the case as you spring out the doors, forcing him to guide you when you're lost in the executive suite hallways.
“I managed to sneak in last time, otherwise I wouldn't have gotten this far. I'm glad you came just in time, I think they were going to kick me out.”
He's surprised at how easily things have snapped back into place between you, no mention of anything that's happened as you race up the stairwell to the roof access.
“Will you tell me–”
“Oh thank god,” you say once your through the heavy doors and collapsed on the green helipad, growing impatient when he props the door open out of habit. He's been up here many times, nothing remarkable about the space besides the legacy sign on top, view crowded by other buildings at varying levels.
“Stand here,” you say, pushing him into place, turning him by the arms. “Do you see it?”
“I don't even know what I'm looking for,” he says, beginning to grow annoyed.
“Look over there, at the People's Bank. Relax your eyes, it will only take a minute.”
He feels increasingly foolish but he does what you ask, cool morning breeze clearing his muddled head. The sky is washed in a pink and blue haze, the sun cresting the more mountainous region of the city behind you to bathe the city in solid gold.
“There,” you breathe, letting out a little sigh.
“What?” All he can see is a few birds passing over the vista of crowded advertisements and neon.
“Do you see the light?” you ask.
“There's tons of lights–” he begins, cut short by the blinding catch of the sun's reflection on one of the characters, then another. He spells it out slowly, guided by your hand holding his to each one.
The bank: Sa.
The next building over, also burning brighter with the touch of the sun: Rang.
Then an advertisement that has been up long enough most of the original message is lost. Hae.
“How did you find this?” he asks, knowing it would be impossible for him to have ever seen this without knowing the trick of the light.
“I didn't find it. Well I did–I had to search some buildings for it.”
Later he'll find out you climbed close to fifty flights of stairs in the last two months, had spent every waking moment not working or in school breaking into buildings before sunrise to find that exact spot, forever amused at the thought you hadn’t checked his family's flagship hotel first.
“You don't remember getting the same message from someone else?” you ask. “I was worried you wouldn't come, again.”
Again. Something tugs the memory up from the oubliette he'd locked it into, Mona teasing him about sleeping in and missing their appointment.
Mona.
His stomach falls, checking back behind him at the door as if that particular ghost will return to haunt him.
“She's not here. I wasn't trying to set you up,” you say, recognizing the dismay he can't hide. “Honestly. And I know whatever closure you find is yours and yours alone. You were right about that, too, I'm sorry.”
You twist your hands in front of you, suddenly overwhelmed with anxiety. “I did this for me. Because I wanted to know what she tried to tell you, even if she couldn't say it aloud.”
You don't look at him, can't in order to continue. Doyoung feels like a live wire, exposed, two months of painful loneliness and a lifetime's worth of avoidance of this fact all surging through him in this moment.
As much as he would prefer to leave he's not going to run like he did back then, when he'd ignored the hard parts to pretend like a friendship wasn't something more. Not with the stakes of losing this one.
“You once told me you were just friends, even if you couldn't be one anymore for her after you realized you loved her. How it broke you to be with someone you couldn't be with, who wanted something different.”
“Now you know. She didn't want to stay one, either,” you say. You look up at him nervously, regaining your confidence.
“I just wanted you to know that you were loved, Kim Doyoung. You still are.”
You turn away towards the door, pretending not to have seen the tears dripping down his face under his glasses. He ignores them, too, not knowing what to say or do to make sure you never leave him again.
The spot never mattered to him, the word and it's confession forgotten in time. What changed that day was having you in front of him after so long, the way you were a reflection of him so many years ago, fighting to be by the side of someone who didn't know how to love you back, the right way.
He'd promised himself than that even if he couldn't say it, he'd show you.
“Thank you for coming. I'm sorry for interfering with your life, but that’s what friends do.”
You'd almost made it to the stairs when he'd wrapped around you from behind, the first ever time he'd held you in an embrace, unsurprised to find you shaking like a leaf as he rested a wet cheek against your hair.
“I'm sorry,” he says. “Thank you.”
You relax a little, squeezing his hand. In that small gesture everything is reset, everything is okay again. They won't talk about this for the next few years, even when Jungwoo asks how you'd come back into their lives so suddenly and without any indication that things had changed.
But they had. Deeply.
“You can make it up to me by buying me breakfast,” you say, smiling up at him, wiping his cheek with your sleeve. “We have a lot to catch up on.”
“Did I win?” you ask.
Doyoung can only laugh, giddy, as you burrow into his side to smother him in kisses and teasing. You were put on this earth to challenge him, after all–always right there to match him in stubbornness and competition.
He presses his nose to your neck, inhaling the remnants of the scent you'd made together, one bottle for each, though you didn't have to know his formula was just a bit different.
“‘Tomorrow Morning’ has a nice ring to it, I suppose. It lingers well.”
“It was my answer, actually. I needed to see if I could break Saint Kim's vow of romantic abstinence before I made up my mind,” you say, smug as you move to get up. “Glad you were able to find out before your time was–”
You shriek as he pulls you down again, pinning you to the bed.
“I still have a few hours,” he says, voice dangerous. “I'd like to hear you say it again.”
#kim doyoung x reader#kim doyoung fic#kim doyoung smut#nct smut#doyoung x reader#doyoung smut#doyoung fic#nct x reader#nct fic#nct imagines#nct fanfic#nct djj fic#nct dojaejung fic#nct djj smut#nct dojaejung smut#nct f4 au
193 notes
·
View notes
Note
For real. All those blogs with bad takes in the CaitVi tag, have gotten an immediate block. I’m here for my own peace and enjoyment, the opinion of loud homophobes ain’t gonna beak that. You can’t engage with hate and malicious folk.
It’s more than just homophobes. There’s too many loud folk who don’t understand textual and sub textual readings of character actions and motivations who have concocted absurd readings of the plot and characters. Caitlyn isn’t some evil monster or irredeemable despot, which is clearly readable if you can simply read. Jinx isn’t a hero. Vi wasn’t out of character in choosing her own happiness.
But it’s also how people don’t know how to *take* from fiction to apply to the real world; they’re instead forcing a real world’s square peg into the round hole of the show’s events to try and make a point about how a character isn’t *moral*. Plot and character are created by people in our world, yes - their development isn’t in a vacuum where our world doesn’t exist. However - unless the work is a satire, something *meant* to be a lampooning read on a current event - you need to create some distance when you interpret that world. It’s meant to be analyzed in its own context, only after word to be extrapolated into possibility for reality.
Media literacy has been turned into a buzzword, but this is just plain old regular literacy people aren’t learning. Subtext, variation, parsing dichotomy - doing more than just *feeling* and then justifying the feeling so you’re never wrong. That’s the exact thing these characters failings warn you against.
Don’t just *feel.*
Think.
44 notes
·
View notes
Text
How the Fansubbing Process Works for entameSubs
The delays have brought about speculation and misinformed assumptions of how our work is done.
This post explains our entire process to put this misinformation to rest, and also informs those curious of how fansubbing works.
----------------------------------
For those unaware, each subbed episode comes with a section of credits at the very end that are specific to that particular episode. For example, EP124 was translated and timed entirely by me (entame), while EP122 was translated jointly by tessa (batsugeemu) and yona (angelthinktank), while I took a proofreading role. Each episode's credits are different, and I always make sure to credit properly based on who worked on what.
Step One: Translation
The job of the translator is to just get from point A (Japanese) to point B (English). One full run-through of the script, no stops in-between. Work is not edited, proofread or checked in any way, it is simply translated and then moved onto the next phase of the assembly line, so to speak.
Leave typos in, leave mistakes in, leave phrases you cannot translate or parse alone and move on. Awkward or literal translations are fine. The goal is to finish the whole script. A couple lines missing here and there is fine - they will be caught later. The first step is just to get it done.
Translating a full script can take anywhere from 2-6 hours, depending on the episode or any extraneous circumstances. To be clear, 2-3 hours is the absolute fastest that it can possibly happen, and it is an outlier. I can count the amount of times it has taken 2-3 hours on one hand. Those are usually reserved for our dedicated "speedsub" episodes, where we have everyone on deck to work continuously, without break. This is not a norm, nor should it be assumed so.
A normal episode will usually take around 4-6 hours working time to translate. Sometimes this is done a couple hours on one day, and another couple on a separate day. Sometimes it's done all in one sitting. It varies depending on the translator's schedule.
Step Two: Proofreading
After that, the proofreader then goes through for a second or third watch to do edits and checks. The proofreader is strictly in charge of making sure the translation itself is correct as well as fixing any missed lines from the translator. Grammar, typos, various other minor corrections are not expected to be done in full here, the main job of the proofreader is to just make sure the Japanese to English translation is complete, correct, and makes sense.
Is the subject correct? Is this the right verb to use in English? Are they talking about themselves or someone else? Is the context the original translator took correct/accurate? A second/third pair of eyes is essential to making sure everything comes out properly.
The translator may mark specific lines that stumped them or they need a second opinion on for the proofreader to pay special attention to. Maybe the translator can't think of an appropriate way to make something work, or need pun ideas.
Proofreading and translation roles are entirely switchable on request, because both proofreader and translator must know Japanese.
Step Three: Timing
At the same time, the timer begins the tedious work of timing the subs to the episode itself, making sure sentences show up at the correct place, for the right amount of time.
They ensure subs cut at scene changes, that the lines shown on screen are properly broken up if a character pauses, and are instering forced line breaks where necessary so subs don't awkwardly fill the entire length of the screen and are instead always centered.
Step Four: (not) "Final Check"
"Final Check" as I'd like to call it, is always done by me. Once proofreading and timing are both done, the sub files are sent to me.
I add in the opening and ending, I do all the fancy text effects if need be (such as scrolling text, rainbow text, gradient text, translating signs or posters shown on screen and blending them into the episode, etc - this is all under "Typesetting"), and I also do a third check of the script on a watch through to further edit any lines that may feel awkward to read on screen or I have thought of a better translation for.
The state that the subs come in pre-final check are subs that only contain the very middle of the episode itself. This means the prologue, the opening, the ending, UTS Report and preview are entirely unsubbed, alongside any signs or extraneous text on screen. Subs are not done pre-final check. There is a reason they must go through me first and that is because I am the only typesetter on the team.
To be clear, timing and typesetting are two entirely different skill sets. Getting the subs timed properly is one thing, getting the subs to look nice, flow well, and not feel awkward to read is another.
Typesetting is usually known as an "invisible" job. When it's done poorly, you notice it. If it's done well, you don't.
At this point, I also go over and double check things like character voice and make sure it's following our style guide. While this is a consideration made during step one and two as well (translating and proofreading), this is the point where things are tightened up.
Extraneous TL notes may also be added here in-episode if needed.
Step Five: Quality Checks
After everything has been bundled together and ready-to-go, it gets sent to our Quality Checker for the very last and final run-through. QC checks spelling errors, typos, grammar, weird English, missed casing, missed lines, style guide errors, etc.
The QC does not need to know Japanese (though it is a nice bonus if they do!), they only need to know English so they can check for grammar and weird phrasing. At this point, all of the translation work and check has been done, it is just making sure stuff makes sense to an English audience now.
After QC sends in their changes (or lack thereof), the timer usually goes back to fix up the final file for publishing.
Step Six: Distribution & TL Notes
Finally, the person who hits publish and uploads the episode file to all relevant sites is me, since I know how to setup, run, and seed torrents.
A lot of people may not know this, but all anime pirate sites (R.I.P.) pull their content from Nyaa's feed. If it's not on Nyaa, it won't be on a pirate site. In order to actually ensure proper distribution of the episode, it needs to be uploaded through Nyaa. Once it is on there, the pirate sites will all update of their own volition.
Translation notes, if any are necessary, are also written entirely by me, even if the episode may not have been translated by me initially. These are usually only written if I have time or if there is a specific concept/idea that I really want to make sure comes across properly.
Final Words
I hope this gives you better insight into the entameSubs process and how episodes are usually worked on/made.
A lot of our team is scattered across different timezones, with one person being 9 hours ahead, and another one being 6 hours ahead. This means things are done at different times and at the leisure of whoever is in charge of their role. If someone is busy, then there is nothing else anyone can do but wait.
It may be that after waiting for someone to finish, someone else in the chain becomes busy, and the process of waiting starts all over again. Steps are done like this so that we have appropriate checks in place. This is just how it is. None of us are paid, and all of us are doing this for fun.
Most of all, I take a lot of pride in the team's work. If something is not up to snuff, or I don't feel comfortable publishing it until we've been able to correct something that's been bothering us (whether that's a line, typesetting, or etc), it doesn't get published. These subs are not just "my" translations, but the work of the whole team.
Call it arrogance, but I'd much rather put out something we're proud of than something rushed through the wringer just for the sake of getting stuff out. You may disagree with lines or certain translations, but they are our work at the end of the day.
And it is a lot of work.
Thank you.
73 notes
·
View notes
Text
I am here to complain a bit about Jack & Joker (and apologies, because I'm going to make an inevitable comparison to Kidnap at the end of this post), so this post might be triggering for you (consider yourself warned, some of y'all don't read TWs!) But if you wanna hear some constructive criticism about director Tee Bundit's intriguing storytelling choices for this show, then come with me....
... because there's a lot about this show thematically that would usually sit right with me, namely its heavy focus on family.
Thanks to @veemark, we got a deep-dive into the wedding symbolism of last week's Lunar New Year celebration. I can feel that! Joke is clearly deeply touched to finally be a part of a family -- which is ever more meaningful, considering his brutal rejection by his own blood father in this week's episode.
And there are so, so many more family (and wedding) themes (in non-chronological order):
1) Tattoo's mom taking in both Tattoo and Hoy 2) Boss rejecting his own son, Arun, and adopting Jack (to then use Jack for his own financial gain) 3) The community that Ah Mah has built around her, from taking Joke in, to the little girls she hosts 4) Jack losing his parents and being raised by Ah Mah 5) Arun finding new family with Tattoo 6) Understanding how family ties runs the criminal underground of Bangkok 7) All of the ring symbolism, from Jack getting his parents' ring back, to rings being used as power symbols for the aforementioned criminal underground -- a theme I LOVE, actually, because strength in numbers in society always means more power for those individuals, including for couples that get married (INCLUDING FOR COUPLES THAT WILL BE ABLE TO LEGALLY WED IN JANUARY IN THAILAND AND WILL BE ELIGIBLE FOR SPOUSAL PRIVILEGES, EEEE!)
So many family themes going on in this show. I love it! I love the indication that when Jack and Joke first met years ago, that there could have been a frisson of potential family between them, two guys meeting at a bar and connecting.
AND, I ALSO love the themes of family fucking each other over. Because families aren't perfect! Not by a long shot. Families can truly suck towards each other. Boss to Arun. Save (FUCKING SAVE, YOU DICK) to Jack. Joke's dad to Joke, all of his life. If we're talking potential family from back in the past, then of course -- Joke fucking over Jack, the issue that started this series.
What's not working for me in this series, though, is that somewhere along this trajectory, director Tee Bundit got too caught up in liberally sprinkling these otherwise excellent themes throughout the show (really, much to my joy, because I otherwise love these themes) without offering emotional build or context to our two main characters. There are other connectivity issues to this show, but this is my main gripe.
Now, I've had an up-and-down relaysh with Tee Bundit's work. I hated TharnType, I HATED Step By Step, I ADORED Lovely Writer, I LOVED I Feel You Linger In The Air. We're teetering on Step By Step-territory here in Jack & Joker by the way that Tee seems to be gunshy about giving romance -- which needs to be the cornerstone of an ostensible romance BL -- time to breathe and develop.
We have jumped from an inferred wedding banquet last week, to tired spousey-spousey dinners this week, with hubs ripping off his tie and apologizing to his househubs about not finishing his plate.
Not to say I need to see the boing! I don't need boing to contextualize romance. What I need to contextualize romance is to see these two falling in love, before their marriage got tired and problematic!
Like. I was watching these dinner scenes, and I'm... trying to parse what's happening at the table. Jack is getting screwed time and time again by poverty. It's brutal. Is Tee saying here that love is an impossibility in the context of poverty?
(I don't know that Jack says that about love, per se, in his monologue to Rose while they're with the village children, but he does talk about the inability of impoverished people to truly dream, so maybe that's the correlation?)
And then, because Jack must make his choice to serve Boss and earn money for his grandmother's treatment -- he has to let go of Joke. But.... they were never together anyway! Right?! (See @lurkingshan here for the wise comment on noble idiocy.)
I'm not bought into the closeness that I'm supposed to assume from Jack and Joke -- because we haven't been taken there yet. I haven't seen that closeness develop. I've seen Joke make it up to Jack for Joke's previous transgressions. But I haven't seen Jack respond to that emotionally, bodily, with heart, as a narrative would otherwise convey romance successfully in a script.
Unless this is an allegory meant to convey that poverty prevents people from falling in love. Is that the message? Because... dang, wtf. That's a hell of a message.
It's a brutal message, if that's the message, commenting on the assumed strength of the criminally powerful of Bangkok to squeeze out every last dream of those who are in lifelong debt to crime lords.
It's a very Tee Bundit message, honestly, as well. I can see him driving this show right towards this message that hopelessness is absolutely a reality for the thousands of impoverished Thais who will die in debt.
But this is a YinWar show -- and, unless we are going to be MASSIVELY SURPRISED, which I don't think we are, the car's gotta drive towards romance at some point. These guys aren't even together, and we're headed towards divorce court. We've missed some significant emotional beats along the way, and my eyebrows are furrowed as to how Tee Bundit will three-point-turn his way out of this traffic jam.
(What's my inevitable comparison to Kidnap? Kidnap is the other crime-y show of this autumn season, and its narrative has jumped all over the place. It's SO MESSY. AND, arguably, Min's and Q's romance has been driving at 90 mph since the start of the show. We've had MORE romance than plot, the opposite issue of J&J. But Min showed his true colors by 4/4 of episode 1. We knew the road we were driving on with our two mains! And there arguably hasn't been jumping of the romance narrative, although we got a pretty fast break-up in last week's episode. Kidnap is messy AF, but its intentions are clear. I'm not getting that clarity -- as cheesy as it's been in Kidnap -- in J&J.)
42 notes
·
View notes
Text
Here's one of those uncomfortable tidbits that no one wants to think about and which people in cozy internet bubbles hate being reminded of:
The way you speak about people you dislike/hate is a red flag to people you do like/love.
The way you express anger and frustration and rage about people who wronged you, even people who wronged you badly, in a wider context, is very often a red flag for others around you. Do you let your anger be a justification to use dehumanizing language? Slurs? Are your personal feelings the measure you use to determine who is allowed personhood and who isn't?
This doesn't mean you're not allowed to be angry. This doesn't mean that you're not allowed to express said anger. It doesn't even mean your anger is not justified.
But if you find yourself sitting alone in your corner of rage, wondering why your personal connections tend to wither and fizz out, it probably is because you're constantly talking about people who make you angry and all the things you'd like to do to them. And like, people who first encounter that, might be sympathetic, might be wary, but the more visceral your anger is, the more readily you express it, the more people start wondering what's the threshold to trigger that behavior. Will you be talking about them in that tone too, if they piss you off? Will they be the subject of one of your tirades, if they make a mistake? Are you going to go on a rampage, calling them slurs, if it turns out they don't agree with you?
Anger is, for better or for worse, the kind of emotion you share with close friends, not with strangers trying to become friends, or new friends who don't know you yet. Anger is the kind of thing a good friend will know how to parse. But if it's a new person and all they know about you is how angry you are about something or someone, they will lack the context to understand that your anger is justified and that it's not the entirety of your personality... because you have made it so that's the only part of your personality they've seen.
Discord culture being what it is, it's fascinating how prevalent "vent" channels are, and how people just go in there and scream their rage in search of sympathy. But it tends to back fire, because to get sympathy from strangers, your venting needs to be edited to sound like you're in the right. Your anger needs to be righteous, to evoke support in those vent spaces. And it becomes a cycle.
Cause the thing is, anger isn't always justified or righteous. Sometimes you're BEC about someone! (Bitch Eating Crackers, a shorthand for "this person annoys me to an irrational amount, anything they do is parsed as a negative", "LOOK AT THE BITCH, EATING CRACKERS" etc.) And that's anger that needs to be expressed and processed! But that's the kind of anger that only close friends can handle. If you put that anger out, performing in the hopes of getting support, you're going to need to either lie egregiously about why you're angry, or you're going to alienate a ton of people because it turns out "is capable of irrational anger about things/people" is a pretty common red flag when that's all you know about someone.
Just.
I keep seeing post after post of people bemoaning being lonely and abandoned and failing to establish long-lasting connections and it's just.
It's the anger. You keep greeting people with anger and anger is a great emotion to fuel a lot of things, like change and protection and closing ranks, but it's kinda shit at building long lasting connections. Try curiosity or good will! It doesn't mean you have to stop being angry, either. If you're angry, you're angry! But when you're trying to build relationships, using anger as an all-purpose tool is like trying to hammer a nail with a saw.
213 notes
·
View notes
Note
[1/3] Hello! My apologies, I'm not sure how the best way to approach this is, so I hope you'll bear with me. I have been struggling with some thoughts surrounding Ford and Fiddleford that I haven't really been sure how to parse, and I am genuinely interested in your opinion. I mean this in good faith, an open mind to learn, and from the perspective of someone who really enjoys your depictions of these two characters. Especially in your review/analysis of the Book of Bill, I really agree with the way you describe Fiddleford's significance to Ford and how their relationship with each other is.
I'm going to keep this fairly short and simple because my feelings on it are honestly not that complex, but I do really appreciate you coming to me with an open mind and explaining your own perspective. The truth is that I really don't think anything Bill did to Ford is equivalent to what Ford did to Fiddleford- which is not to say we're setting a standard for abuse at "the most extreme shit ever", but more that... I just don't see any evidence for it, whether that's textually or thematically.
Don't get me wrong- Ford definitely treated Fiddleford unfairly at certain points in the story. It's a major part of why their reunion feels all the more satisfying... but I think that has less to do with Ford not respecting Fiddleford and can be attributed largely to Bill's manipulation driving a wedge between them both. Ford and Fiddleford are, objectively speaking, equal partners: they were roommates in college, Fiddleford drove up to Oregon and stayed of his own accord to help Ford with what would become their portal project, and when shit gets to be too much, Fiddleford leaves. It's clear that even outside of a romantic interpretation they make for very good friends, something that to me is clearly not just a boss-employee relationship.
So the biggest faults in how Ford treats Fiddleford boil down to two things: a lack of trust ingrained from childhood bullying, and the evilest motherfucker in the world sitting on his shoulder and whispering lies into his ear. When Ford gives Fiddleford a stack of equations to work on, he's working himself to death just as hard if not harder. When he mixes up his Cubic's cube, he's playfully messing with him and potentially not understanding that it really is bothering him (if it is.) And later, when things start to truly unravel, Ford's rash behavior (leaving him at the diner, yelling WELL FINE I DON'T NEED YOU I DON'T NEED ANYONE >:(, etc) it's Bill's influence well and truly consuming him and successfully isolating him from someone he had a once-healthy relationship with. hell, even in the journal's small segment about the "a better world" dimension, Fiddleford and Ford eventually make up and become business partners after the success of their portal project, regardless of everything that happened between them- with a way shorter timeframe between those things than in canon.
Idk I just think that while it's true Ford has flaws I think that's true of... any other character on earth? and I just personally can't see a reading of their dynamic that's abusive being true. and that's not only for textual, canonical reasons but a matter of framing between Bill & Ford vs Fidds & Ford. I think "well abused people are capable of abuse too!" is a fair point to make but in this context seems superfluous and really committed to this idea that Ford is just as bad of a person as Bill, or something, that often happens with abuse victims in or out of fiction.
but that's just me
#lab notes#lab discussion#askbox#alright that's all the big important writing you guys are getting out of me today
53 notes
·
View notes
Note
you may have addressed this in the past, but i am pretty sure i'm too dumb to read james joyce. how do you improve your reading comprehension? i'd like to move beyond the nyt bestseller list, but going from stephen king to faulkner seems like a steep jump.
Nobody is too dumb to read a book, but plenty of people have been conditioned into perpetual incuriosity. The only way to improve reading comprehension is by reading outside of your comfort zone, which necessarily means letting go of the notion that the relationship between an artist and their audience is adversarial, and that a challenging work of art is booby-trapped with mean tricks designed to make you feel bad.
What do you do when you run into a word or concept that you don't immediately understand in the wild? You don't (I fervently hope) drop what you're reading like a hot potato—you keep reading to see if there’s clarification, and if there's none, you find a reliable source that gives you the definition, context, and examples, then circle back. What do you do when you're watching a movie you haven't seen before and the camera lingers on a random detail, or a character makes an inexplicable choice? Unless you are my dad, you give the story a chance to play out before asking what the deuce is going on.
Faulkner and Joyce aren't cyphers, which is why their short fiction is a standard in the public high school English curriculum, and As I Lay Dying and A Portrait of the Artist as a Young Man are frequently assigned to juniors and seniors in AP classes—but even their denser writing is more accessible now than it's ever been. Over the past century, so many people have loved them enough to devote their lives to studying their work—and they’ve passed the savings down to you. They’ve written annotations that explain literary, historical, and biographical context and that's aligned with the pagination of the books, they’ve integrated hyperlinks into the hypertext.
There's exactly one (1) acceptable excuse not to read Faulkner or Joyce: not wanting to read Faulkner or Joyce. You don't even need to give them a chance—millions of people (among them, many prolific and intelligent readers) have and will continue to live rich, meaningful lives after deciding that a particular book or author is simply not a priority, even if the author is famous and the book highly recommended by several friends who wear glasses.
If you can parse this passage from Pet Sematary, you can parse just about anything Joyce throws at you:
#deciding you're too stupid to read a book in a language you're presumably fluent in...smol soft bean behavior. we hate to see it#by the way—this passage is the best thing stephen king's ever written & longest he's ever held his breath before exhaling mediocrity#if i were hashem about to destroy a city for producing nothing but garbage this passage would stay my hand for up to an hour#anonymous#assbox#james joyce
144 notes
·
View notes